PA & Stuudio helitehnika

The PreSonus® Studio Channel channel strip is a wonderful studio tool that's great for live performance, too. Featuring a tube preamp, VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. With XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any audio interface, amp or PA.

The Class A preamp starts with a high-output 12AX7 tube for lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz high-pass filter and polarity reverse let you tweak your signals.

Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients so you can record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers an Auto Attack/Release feature with preset attack and release curves. The backlit VU meter displays gain reduction or output gain.

The three-band EQ is a precision tool that can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amps deliver sweet-sounding gain and cut for smooth highs, clear midrange and deep, solid lows. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls, and can be shelving or peak bands.

• Class A 12AX7 vacuum-tube mic/instrument preamplifier with Tube Drive control
• Gain control with +10 dB to +54 dB gain range
• 48V phantom power switch, 80 Hz high-pass filter, -20 dB pad, and Polarity-reverse switch
• Fully Variable VCA compressor with Attack, Release, Ratio, Threshold, and (makeup) Gain; Auto Attack/Release switch; Soft/Hard Knee switch; and Bypass switch
• 3-band parametric equalizer with Gain, Frequency and Q controls (mid band); Gain and Frequency controls and Shelving/Peak switches (low and high bands); switchable pre-/post-compressor; Bypass switch
• Backlit VU meter with Gain Reduction to Meter switch (gain reduction or output gain)
• 1 unbalanced ¼-inch instrument input (front panel), 1 balanced ¼-inch line input, and 1 balanced XLR mic input
• 1 balanced ¼-inch and 1 balanced XLR line output
• 1U 19-inch rack-mountable, rugged steel chassis with sealed, detented rotary controls
• External 16 VAC power supply

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LED mixer light with gooseneck Angled 4-pin XLR connector Length: 450 mm Color: Black Vaata lähemalt

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2 Channel Fantom Power Unit.

• 12v / 48v 
• Frequency Response 10Hz-20KHz 
• Noise Level -100dBu (22Hz -22KHz,Input Shorted) 
• THD+N (10Hz-22KHz) 0.013%typ.@1V RMS,1KHz 
• Inputs: Two XLR connectors, Balanced 
• Outputs: Two XLR connectors, Balanced 
• DC input 12V, 300mA 
• Dimensions: 158 x 100 x 50 mm 
• Weight: 0.4 kg

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Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 stereo personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. Portable and compact, it offers two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control and can be powered by a 9V battery or a DC power supply. Operation can be switched between stereo and mono, and a Pan knob is provided. A 2m audio cable is included.

• Battery-powered, stereo headphone amplifier
• Inputs: 2 female XLR connectors
• Output: stereo, 1/8" phone connector
• Power: 9V battery or DC power supply
• Volume and Pan control knobs

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Tired of straining to hear underpowered headphones? The PreSonus® HP4 headphone-distribution system is louder than you're ever likely to need for session and stage use. (Be careful with that level control!) Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!

Simplicity is the HP4's hallmark. It offers left and right line inputs, left and right line outputs with level control, and four headphone outs. You can sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.

The compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just one-third of a rackspace. If your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier.

So quit struggling with mediocre headphone amps. Get the PreSonus HP4 and hear everything loud and clear. You

• 4 screaming-loud (130 mW per channel) stereo ¼-inch headphone outputs (front panel
• 2 balanced ¼-inch line outputs (monitor outputs)
• 2 balanced ¼-inch line inputs
• Headphone level control for each channel
• Mono summing switch for each channel
• Monitor level control and mute switch
• Daisy-chain multiple units via monitor outputs
• Compact 1/3U rack-mount chassis
• Sealed, detented, metal rotary controls
• External 16 VAC power supply

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Placing studio monitor speakers directly on a hard surface such as a desk or unpadded stand can result in vibration and surface coupling that affects the sound of your speakers. PreSonus® ISPD-4 isolation pads eliminate this problem by acoustically isolating the speakers from the surface. The pads come in pairs that can be split into four halves, so you can use the entire pad, use half a pad for a small speaker, or separate the two halves and use both for extra width, such as with a horizontally placed speaker.

• Provides acoustical isolation for studio monitors
• Reduces vibration and surface coupling
• Can be divided into two sections to accommodate larger widths
• Capable of seven positioning options
• Dimensions (WxDxH): 10.4" (265 mm) x 13" (330 mm) x 1.6" (40 mm)

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Get the most from your microphone with The Broadcast Accessory Pack - everything podcasters, live streamers, gamers, and YouTubers need to level up their online presence in a convenient bundle! The rugged PBA-1 boom arm is suitable for use with Revelator, PX-1, PD-70, or nearly whatever mic you like - and gets your mic up off of your desk, freeing up valuable tabletop space while providing unlimited positioning options. An APF-1 pop filter is also included to help reduce the plosive sounds that can occur when recording loud vocalists or employing close mic positioning. The lightweight HD7 headphones sound great, remain comfy over marathon streaming or production sessions. And to top it all off, PreSonus threw in a 10-foot XLR cable for connecting your mic to your interface.

• Single-purchase microphone accessory solution
• PBA-1 microphone boom arm features adjustable tension and is compatible with Revelator, PX-1, PD-70, and most standard microphones
• Includes a 5/8" male to 3/8" female thread adapter for use with standard microphone mounts
• APF-1 pop filter reduces vocal plosive sounds in your recordings and streams
• HD7 headphones are lightweight, comfortable, and great-sounding; includes ⅛" to ¼" adapter
• 10-foot XLR microphone cable included to connect your mic to your interface

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Meet the ultimate palmtop guitar companion and recording studio. Only slightly larger than an iPod, the tiny-yet-powerful MICRO BR is a dream for musicians on the go. The MICRO BR offers four simultaneous playback tracks (plus 32 V-Tracks), MP3 compatibility, onboard multi-effects, built-in rhythm patterns, a tuner, USB, an SD Card slot, and more. No guitar case or gig bag should be without one! Vaata lähemalt

The ultimate accessory for the musician´s camera. The MSM-1 allows you to mount your Q4/Q4n on a Mic Stand or pole, anywhere on stage, at your rehearsal space, or on the set. Vaata lähemalt