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MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players—this pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.

This pedal is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ ECB003EU, or an MXR Brick Series power supply.

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COMPRESSORE is a state-of-the-art compression tool that allows you to control gain, threshold, ratio, attack and release. The pedal also true bypass, which means that when the compressor is ‘off’, your signal goes directly from the input jack to the output jack without any degradation of audio quality. Vaata lähemalt

Markbass Super Synth, effect stompbox for bass guitar guitars, Synth/Octaver with true bypass, control: GAIN-, CUT FREQ/OCT -1, TONE/OCT +1, LEVEL/DRY, switch for PRESETS, TRUE BYPASS and SYNTH/OCTAVER switch, USB for further effect parameter adjustments via MARKBASS Software (download), big display, 12Volt DC power supply is needed (included), jack our for mix or pure effect signal Vaata lähemalt

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Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.

As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tunedsound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

• Low notes clear and in tune
• Super-fast tracking
• Ultra-compact size
• Top-quality components

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After the huge success of the Little Mark Vintage head, marking a new Markbass era, we designed the MARK VINTAGE PRE, a new tube preamppedal, REAL TRUE BYPASS, ready to become a must have tool for pro bass players. MARK VINTAGE PRE delivers a very wide palette of tone options, from modern sounds to vintage ones and many other features to satisfy any needs.

4 band EQ, 3-way switch with preset EQ settings, DRIVE control with two types of distortion that can be mixed with the clean signal thanks to the BLEND control, +6 dB BOOST, AUX-IN and Headphones output, FX send/return, DI-LINE OUT with a dedicated transformer and, starting from an idea suggested by our top artist Marcus Miller, on this pedal we added the digital outputs RCA (with transformer) and TOSLINK with sampling rate switch 44.1/48/96KHz, making it the perfect studio tool for recording bass players.
A state of the art piece of gear letting everybody get a quality pro soundeverywhere, from studio work to stage concerts.

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Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

A no fuss professional compressor tailored specifically for bass instruments, the Bassman Compressor focuses on ease-of-use and great tone. Beneath its simple control set, this compact pedal employs smooth RMS compression – the same compression circuitry used in the most prominent studio rack compressors. The ratio and release switches each offer two meticulously dialed in presets to coax the most out of your bass with minimum stress, while the rest of your compression settings are handled using the straightforward level and compression controls. Use the blend control to inject fullness and dynamics from your clean signal back into the mix for the perfect balance of compression and feel.

• Studio style RMS compression meets simple UI in a pedal board friendly form factor
• Select between two dialed in ratio settings for light compression or smooth limiting
• Internal attack and release controls offer further fine-tuning to suit your playing
• Soft-touch relay true bypass with auto bypass when no power is present
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure

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Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

• Fender®-designed Tape Delay Effect
• Pattern & Mod Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching, Analog Dry-Through
• Powered by 9-Volt Center Negative AC Adaptor, Not Included

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The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

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The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time
• Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
• I/O's: Input, Output Input is on the right side. Output is on the left side.
• Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
• Size: 116(W) x 153(D) x 57(H) (mm)
• Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
• Required Current: 200mA@9V
• Power Supply: External DC 9 volt AC adapter

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