INV08566
The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.
Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.
The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.
The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.
INV09367
The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
Vaata lähemaltINV10036
Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.
Enter the world of subsonic soundscapes with delay engineered for bass. The Bassman Delay brings delay to the low end wielding two professional DSP algorithms designed specifically to repeat bass signal. Select between smooth analog repeats or crisp digital delay tones with a flick of the type switch, while the time and feedback controls determine the delay time and number of repeats. Shape the low frequency presence in your delay repeats using the low switch, letting you decide if your delays fade out lightly on top of your signal, keeping the low end clear, or duplicate the full signal for beat-repeat like waves of bass. Delve into the depths of ambience and find exciting new percussive grooves with the Bassman Delay.
18115
19767
INV08199
Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.
As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tunedsound, way better than you’d expect from an analog octaver.
This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.
INV09341
After the huge success of the Little Mark Vintage head, marking a new Markbass era, we designed the MARK VINTAGE PRE, a new tube preamppedal, REAL TRUE BYPASS, ready to become a must have tool for pro bass players. MARK VINTAGE PRE delivers a very wide palette of tone options, from modern sounds to vintage ones and many other features to satisfy any needs.
4 band EQ, 3-way switch with preset EQ settings, DRIVE control with two types of distortion that can be mixed with the clean signal thanks to the BLEND control, +6 dB BOOST, AUX-IN and Headphones output, FX send/return, DI-LINE OUT with a dedicated transformer and, starting from an idea suggested by our top artist Marcus Miller, on this pedal we added the digital outputs RCA (with transformer) and TOSLINK with sampling rate switch 44.1/48/96KHz, making it the perfect studio tool for recording bass players.
A state of the art piece of gear letting everybody get a quality pro soundeverywhere, from studio work to stage concerts.
INV10211
Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.
A no fuss professional compressor tailored specifically for bass instruments, the Bassman Compressor focuses on ease-of-use and great tone. Beneath its simple control set, this compact pedal employs smooth RMS compression – the same compression circuitry used in the most prominent studio rack compressors. The ratio and release switches each offer two meticulously dialed in presets to coax the most out of your bass with minimum stress, while the rest of your compression settings are handled using the straightforward level and compression controls. Use the blend control to inject fullness and dynamics from your clean signal back into the mix for the perfect balance of compression and feel.
INV00721
One simple pedal, so many uses. Rely on your T-Rex Karma to make sure your solos cut through - even if your soundman isn’t quite on top of it. Use it to compensate for power lost across long cables and lots of pedals. Let it accentuate the gain and sustain your overdrive and distortion pedals are giving you. Or use for no other reason that it’s one damned great sounding effect.
KARMA’s character evolves the more you turn it up, giving you surprising variety and richness in a one-knob pedal.