Efektid

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

A no fuss professional compressor tailored specifically for bass instruments, the Bassman Compressor focuses on ease-of-use and great tone. Beneath its simple control set, this compact pedal employs smooth RMS compression – the same compression circuitry used in the most prominent studio rack compressors. The ratio and release switches each offer two meticulously dialed in presets to coax the most out of your bass with minimum stress, while the rest of your compression settings are handled using the straightforward level and compression controls. Use the blend control to inject fullness and dynamics from your clean signal back into the mix for the perfect balance of compression and feel.

• Studio style RMS compression meets simple UI in a pedal board friendly form factor
• Select between two dialed in ratio settings for light compression or smooth limiting
• Internal attack and release controls offer further fine-tuning to suit your playing
• Soft-touch relay true bypass with auto bypass when no power is present
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure

Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end. The SATURATION control offers a tremendous range of distortion while the CONTOUR control allows you to dial in a scooped or a more aggressive, boosted midrange sound. The PRESENCE knob adds 'attack' to your sound, ensuring that your bass remains defined even with the most saturated settings. The output LEVEL control guarantees that you'll be able to get the distortion you want at any volume level.

• Saturation' controls how distorted your tone is, with a range from subtle tube-like to aggressive
• 'Contour' controls your midrange, from scooped to bumped
• Pedal powered by universal 9-volt power supply only. Not included.

The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can't get from other pedals. The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

• Two sweeping filters offer classic envelope filter sounds, as well as new and unique tones
• Blend control adjusts mix between the filters
• Separate velocity controls for the 'up' and 'down' filters
• Pedal powered by universal 9-volt power supply only. Not included.

Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor provides classic silicon transistor distortion. The Fuzzistor allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic structure of the Fuzz from booming to gnarly.

• Analog silicon transistor distortion circuit
• 'Blend' control allows you to get ideal mix of clean and fuzz tone
• Pedal powered by universal 9-volt power supply only. Not included.

The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. From flowing, liquid tones to fat, funky ones, this simple phaser has a wide range of usable sounds in it. Fantastic for all styles of playing, especially soloing, fretless, and slap. RATE controls the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!

• 'Rate' controls speed of modulation
• 'Color" feeds a portion of signal back through the phase circuit, creating new and unique tones
• Pedal powered by universal 9-volt power supply only. Not included.

Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

• Proprietary detector circuit for superior tracking
• Continuously variable multipole low-pass filter for Octave sound
• Dual filter architecture
• Full spectrum tilt EQ for clean sound
• Pedal powered by universal 9-volt power supply only. Not included.

The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables you to achieve unprecedented levels of performance, usually found only in expensive studio compressors. Using a wide range of attack times (10ms to 100ms), variable threshold (-30 to -10 dBu), and slope levels (2:1 to infinity), you'll be able to dial in just the right sound. The TLC has a Full Spectrum Tilt EQ for Clean sound and a low distortion at <.2%.

• Threshold control: variable from -30 to -10 dBu
• Slope control: variable from 2:1 to infinity
• Attack control: variable from 10ms to 100ms
• Level control for make-up gain
• Ultra low distortion: (<0.2%)
• Pedal powered by universal 9-volt power supply only. Not included.

Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing. Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end. With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go. This two-band bass and treble preamp has a maximum amount of boost at 18db, occurring at 40 Hz for the bass, and 4kHz for the treble.

• All FET design
• Two bands of boost
• Heavy Duty steel construction

One simple pedal, so many uses. Rely on your T-Rex Karma to make sure your solos cut through - even if your soundman isn’t quite on top of it. Use it to compensate for power lost across long cables and lots of pedals. Let it accentuate the gain and sustain your overdrive and distortion pedals are giving you. Or use for no other reason that it’s one damned great sounding effect.

KARMA’s character evolves the more you turn it up, giving you surprising variety and richness in a one-knob pedal.

• Advanced non-linear boost circuit
• Based on highly celebrated T-Rex buffer
• Boost guitar, bass or keyboard up to 16dB
• Subtle edge at higher levels
• Elegant one-knob operation

The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!