Mikrofonid trummidele

Dynamic instrument microphone for percussion, drums, snare or electric guitar.

• cardioid
• frequency response 40-15000 Hz,
• Max SPL: 94 dB SPL,
• Sensitivity -56.0 dBV / Pa * (1.6 mV),
• for percussion, drums, snare or electric guitar,
• dimensions: 157 x 32 mm,
• weight: 284 g,
• including microphone bag, microphone clamp, 3/8 "Thread Adapter,
• optional accessories: windscreen

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The Samson C02 Pencil Condenser Microphones are small-diaphragm mics designed to capture every nuance and characteristic of your productions. Excelling in both live and recording applications, their low mass diaphragms employ a linear frequency response with optimal transient pickup that make the C02s perfect for miking acoustic instruments. With the ability to handle sound pressure levels of up to 134dB SPL, the C02s are just as ideal for use as drum overheads or cymbal mics.

• Small-diaphragm pencil condenser microphones
• Packaged as a stereo pair (matched within ±0.5dB sensitivity of each other)
• Cardioid pickup pattern
• Up to 134dB SPL
• Gold-plated XLR connectors
• Protective carry case, shock-mounted mic clips and windscreens included

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Dynamic instrument microphone - hypercardioid, 50Hz-16kHz, excellent for toms, brass etc.

• Small size
• Robust body
• Includes clip and bag

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Shure Beta 52A, dynamic microphone, Supercardioid, Frequency Response 20 - 10,000 Hz, Max SPL 174 dB Sensitivity -64 dBV / Pa * (0.6 mV), for example, for bass drum, bass guitar, weight 605 g, included microphone bag, 3/8 "Thread Adapter Vaata lähemalt

The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano, half-cardioid condenser boundary microphone with an integrated XLR preamplifier. Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments, Two-position contour switch to maximize attack and clarity depending on Requires no external mounting Vaata lähemalt

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Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent output with unmatched sound in high SPL situations. The Q3 can be rotated up to 90 degrees for easy positioning. This microphone brings great sound without feedback to any stage or studio.

• Neodymium element delivers maximum output 
• Hypercardioid pattern reduces feedback 
• Mic rotates 90 degrees for easy positioning 
• Transformerless design reproduces extended low end frequencies with minimal distortion 
• Aluminum humbucking voice coil 
• Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums 
• Switchable 12 dB per octave high pass filter helps eliminate stage rumble 
• Triple-plated multi-stage windscreen allows close proximity use with minimal noise 
• Multi-axis shock-mount mic element enables quiet performance 
• Sturdy Zinc casing and "anti dent" ring 
• Foam-lined carry case, mic clip and "Euro-metric" mic stand adapter included 
• Gold-plated balanced XLR connector for maximum conductivity

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Audix D2 - special microphone for toms.

• prof. dynamic microphon
• hyper cardioid
• 44 - 18kHz, 250 Ohm
• max SPL 144dB
• also good for congas, etc.

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Audix Micro-D - condenser clip microphone with gooseneck for Drums and Brass with hypercardioid polar pattern.

• 40 - 20.000 Hz
• 250 Ohm
• 140 dB SPL max.
• Mini-XLR connector
• incl. adapter APS910 to XLR Male
• incl. Audix D-Vice clamp
• optional holder for different acoustic instruments
• 48 Volt phantompower necessary
• weight 370 gramm

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