Guitar Effects

The 440 has all of the quack, squee, squonk, chicka, mwomp, and weeeooow, that you could ask for. It works equally well on guitar, bass, and keys. Use out for funky chordal work, simulated wah, or trippy drawn-out filter sweeps. While 440 is a faithful recreation of the vintage 440, the addition of the up/down toggle gives it a modern sonic twist.

Step Through the Looking Glass Into a New World of Overdrive.

Dial in the ideal reflection of your sound with a set of powerful, yet simple controls. You can keep things simple and use the Looking Glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. Featuring a new hybrid of Class-A discrete FET design, the Looking Glass’ asymmetrical clipping is so responsive that it can go from one end of the spectrum to the other with not only a flick of a switch, but with pick attack alone.

The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic.

Built for maximum versatility, the Looking Glass’ unique Input Filter feature allows the player to tame overly bright guitars and interacts with your guitar’s pickups to help you cut through the mix without shredding the audience’s ears. The versatile, intuitive pre-drive Bass Cut and post-drive Treble controls allow you to retain clarity in the mix or dial in any raunchy raw tone you desire. And, there’s enough output and gain on tap to make even the Red Queen lose her head.

The Looking Glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly.

Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections – 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch.

The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times.

All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.