Audio Interfaces

RME introduces the HDSPe AIO Pro PCI Express interface card, the successor of the popular HDSPe AIO. The Pro version provides professional users in the fields of studio and broadcast with the same high channel count as well as analog/digital input and output variety of the HDSPe AIO. In terms of technical features RME has completely reworked the HDSPe AIO Pro, defining the current state-of-the-art in PCI Express cards.

• Balanced* stereo analog in- and output, 24-bit/192kHz
• All analog I/Os capable of 192 kHz, constant number of available channels
• 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
• 1 SPDIF digital I/O, 192 kHz-capable
• 1 AES/EBU digital I/O, 192 kHz-capable
• 1 High Power Headphone Output, separate DA-converter and playback device
• 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
• DIGICheck, RME's unique metering- and analysing tool
• TotalMix FX: 760 channel Mixer with 42 bit internal resolution
• Native PCI Express - no PCI to PCI Express bridge used
• Outputs with Mute Relais
• +24 dBu I/O Levels

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Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

• +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
• Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
• 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
• Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
• 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).
• All the above improvements were achieved without raising the units power consumption.
• K-slot for theft protection.

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The HDSPe AES is a short-length PCI Express card with AES/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I/O ports, word clock I/O, and can be used with the optional TCO module for synchronization to LTC and video.

• Support for 192 kHz at full channel count
• Native support for Double and Quad Wire transfer
• Direct conversion between these formats
• SteadyClock for highest jitter suppression and clock regeneration
• Intuitive and clearly laid-out user interface
• TotalMix: 512 channel mixer with 42 bit internal resolution
• 48 level meter Peak/RMS, hardware-computed

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18-Input, 16-Channel Series III Stage Box And Rack Mixer.

The StudioLive® 16R digital mixer is four audio tools in a single rackspace. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 36-channel (18x18) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.

• Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
• 18 input-channel digital rack mixer with 16 digitally controlled XMAX mic/line inputs, 2 FLEX FX returns, 10 mix buses, 6 FlexMixes (Aux, Subgroup, Matrix), 2 dedicated FLEX FX buses, Stereo Main bus
• 130 simultaneous processors: HPF, Gate/Expander, Compressor with Fat Channel plug-in models, 4-band/6-band parametric EQ with Fat Channel plug-in models, Limiter
• 31-band graphic EQ
• 4 FLEX FX slots featuring legendary classic reverb emulations and delays
• State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
• 6 DCAs to control groups of channels
• 36-channel (18x18) recording over USB
• Onboard stereo SD recorder with true Virtual Soundcheck mode
• AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
• Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
• Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
• Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
• Put your musicians' monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
• Capture® 3.0 multitrack software included
• Advanced Studio One® integration (Studio One Artist Included)
• Ableton® Live Lite included

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RME’s reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC). Read more

The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.

Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

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2-AD/4-DA 768 kHz, High-Performance Converter.

Based on many years of continued feature development of the ADI-2 Pro, RME unveils the next addition to the countless award winning ADI-2 Series. The latest masterpiece comes with a newly developed circuit board, improved specs and faster DSP for an outstanding transparent sound signature, extreme power headphone amplifiers including IEM power setting, super low noise 4.4 mm Pentaconn balanced connection, trigger out function for powering on/off external devices and finally an RIAA mode for directly digitizing vinyl discs in highest quality.

• A high-end AD/DA converter in professional studio quality
• A double headphone amplifier in true high-end quality
• A USB DAC like no other - the most versatile and capable one around
• A high-end AD/DA frontend and headphone amp for iPad and iPhone
• An AD/DA frontend for measurement systems at up to 768 kHz sample rate
• A multi-format converter (AES, SPDIF, ADAT) with monitoring
• An SPDIF/ADAT playback system
• A DSD record and playback solution
• A vinyl player digitizing solution on highest level

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The RME 12Mic is a twelve channel remote controllable microphone preamplifier with no-compromise A/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording. Read more