Гитарные эффекты

Perfect for club performers, electronic musicians, and beatboxers, the RC-202 packs powerful BOSS looping and multi-effects in an amazingly compact tabletop unit. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the distinctive look and fingertip interface style of its big brother, plus a host of new features. Four Input FX and four Track FX are available at once, and loops can be saved to memories in real time for seamless creative expression while performing. Expanded foot control and MIDI capabilities are also included, ideal for looping musicians who have their hands occupied with guitar, keyboards, and other instruments. Подробнее

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date. Подробнее

Compression and distortion are an undeniable duo. We combined those two essential effects into one pedalboard-friendly chassis: meet the Compugilist® Compressor/Distortion. The two discrete, all-analog effects are independently switchable, allowing you to use them solo or stacked. The straightforward controls make it easy to dial in your sound to taste.

• Compression/distortion pedal
• All-analog design
• Independently switchable
• Bass Boost
• Stage-ready construction

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MTG:LA® is a tube distortion pedal based around a genuine, U.S.-made NOS 6205 preamp tube. Tone, Bass, Treble and Tight controls make it easy to shape your sound, while the distinctly Fender footswitchable Boost adds Volume, Gain or both to make your solos stand out.

• Tube distortion pedal
• NOS 6205 preamp tube
• 3-Band EQ
• Boost with Gain and Level controls
• Global Tight control

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A unique spin on the traditional envelope filter—aka auto-wah—the Pour Over envelope filter has a few tricks hidden up its sleeve. Not only does it react to your picking dynamics, we added an onboard distortion circuit with dedicated controls that can be toggled to punch things up a bit. The comprehensive control set also includes selectable High-Pass, Low-Pass and Band-Pass filter types, as well as sweep direction control so you can tailor the sound precisely for your musical needs.

• Envelope filter pedal
• Onboard distortion
• High-, Low- and Band-Pass filters
• Sweep direction control
• Magnetically latched hinged 9V battery door
• Amp jewel LED

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Extraordinary tone shaping control, dynamic arrays of distortion and exceptional amounts of EQ are all laid out at your feet. The Pentatone preamp from Ibanez affords the perfect blend of features all wrapped up in an intuitive, all-analog platform. This preamp brings together five individual tone shaping sections in the form of a pre boost, distortion with two band EQ, a noise gate, 5-band parametric EQ, and post boost. The pedal also includes a bright switch, which enhances treble response by boosting the high frequency range. The two integrated footswitches control the preamp bypass and post boost functions, while adding an Ibanez IFS2L external foot-switch enhances the player’s control even further by also making the pre-boost and 5-band parametric EQ foot-switchable. From simple tone shaping, to crunchy overdrive and even the most crushing distortion, the Pentatone preamp covers it all.

• Controls: PRE BOOST, GAIN, BASS, TREBLE, LEVEL, 5-band parametric EQ frequencies, 5- band parametric EQ levels, POST BOOST, Noise GATE
• Switches: PRE BOOST on/off, BRIGHT on/off, 5-band parametric EQ on/off, Noise GATE on/off, BYPASS foot-switch, POST BOOST on/off foot-switch
• I/O’s: INPUT, REMOTE, OUTPUT
• Size: 146(W) x 128(D) x 59(H) (mm)
• Size: 5.8(W) x 5.0 (D) x 2.3 (H) (inch)
• Weight: 1.0kg, 2.2lb
• Required Current: 110mA@9V
• Power Supply: One 9V battery (006P) or external AC adapter

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The 440 has all of the quack, squee, squonk, chicka, mwomp, and weeeooow, that you could ask for. It works equally well on guitar, bass, and keys. Use out for funky chordal work, simulated wah, or trippy drawn-out filter sweeps. While 440 is a faithful recreation of the vintage 440, the addition of the up/down toggle gives it a modern sonic twist.

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Dial in responsive, tube-like drive tones with the Hammertone® Breakup Drive. The perfect contender for an always-on pedal, this JFET based overdrive is designed with one focus in mind: replicating the dynamic response of hot tubes right at the edge of saturation. Two selectable clipping modes tailor the drive’s character between light breakup and medium-gain overdrive, each supplying an expressive response that cleans up with lighter picking and breaks up more the harder you strum. An expansive tone control and switchable pre-gain mid boost provide powerful frequency shaping tools to hone your final tone. From flavoring your core clean tone to delivering dynamic overdrive on tap, the Hammertone Breakup Drive has you covered.

• Two selectable JFET based dynamic clipping stages
• Interactive tone control provides a wide range of EQ flavors
• Mids switch selects between flat response and pre-drive mid boost
• Soft-touch relay true bypass with auto bypass when no power is present
• Top mounted jacks and road-ready aluminum enclosure
• Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included

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The sound of the 1962 ‘Bluesbreaker’ amplifier became a legend, with the smooth tone, rich warmth and full character that gave guitarists more expression than ever before. The original Bluesbreaker pedal took this and put it in a stompbox. Today, this reissue accurately delivers timeless tones and style once again. It captures the magic of those classic vintage amps with added sweetness, crispness and extra edge to carry solos and squeeze out those vital harmonics.

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The Drivemaster is based on the original Guv’nor but takes things a stage further with a new tone and drive network. Its three-band tone network acts as if adding an extra amp to your set-up, with real Marshall tone and overdrive. The iconic look has also been accurately recreated, right down to the finish of the control knobs and unique shape. There are plenty of reasons the first edition is so heavily sought after today. This reissue takes everything that made the original so special and replicates it for today’s player.

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