INV10381
Launched by Fender® in 1960 and positioned as a deluxe model to compliment the P Bass®, the Jazz Bass® provided jazzers with dual pickups for added sonic variety and brightness, a more ergonomic offset-waist body, and a slim neck shape that invited fast, agile performance.
Built to accompany players on their formative musical adventures, the Fender Standard Jazz Bass delivers the approachable playability and inspiring tone that made Fender an icon of rock & roll. Powered by a set of Fender Standard pickups for high-output sonic character and an inviting “Modern C”-shaped neck for superior playing comfort, this J Bass® truly sets the standard for the Fender experience.
INV10383
The Duff McKagan Deluxe Precision Bass is based on the '80s Jazz Bass Special he used while recording Appetite for Destruction. An evolution of his signature model, this bass adds player-friendly features and stylistic touches that Duff demands.
INV10385
The world’s lightest shoulder rest offers extensive and very precise personal modifications of position, height and tilt.
INV10386
The KorfkerRest LUNA has an ergonomic shape, simple click system, folds compactly, delivers freedom of sound, is made of custom materials, and is featherlight.
INV10387
The KorfkerRest LUNA has an ergonomic shape, simple click system, folds compactly, delivers freedom of sound, is made of custom materials, and is featherlight.
INV10547
Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end. The SATURATION control offers a tremendous range of distortion while the CONTOUR control allows you to dial in a scooped or a more aggressive, boosted midrange sound. The PRESENCE knob adds 'attack' to your sound, ensuring that your bass remains defined even with the most saturated settings. The output LEVEL control guarantees that you'll be able to get the distortion you want at any volume level.
INV10549
The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can't get from other pedals. The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.
INV10550
Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor provides classic silicon transistor distortion. The Fuzzistor allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic structure of the Fuzz from booming to gnarly.
INV10551
The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. From flowing, liquid tones to fat, funky ones, this simple phaser has a wide range of usable sounds in it. Fantastic for all styles of playing, especially soloing, fretless, and slap. RATE controls the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!
INV10552
Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.