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PreSonus® was a pioneer in high-channel-count audio interfaces and has spent the last 20 years creating the best audio interfaces for recording large sessions. Building on this legacy, the Studio 1824c provides amazing sound-quality with eight of PreSonus' lauded XMAX analog mic preamps onboard and pristine 24-bit 192 kHz conversion. Add two low-noise instrument preamps, balanced line-level inputs, and an ADAT input to add 8 more channels whenever you need them, and you have an audio interface ready to record just about any session.

When you have the right tools, any job is easier and faster to finish. High-quality converters and PreSonus' professional-grade XMAX mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound, so you'll hear every breath, transient, and detail in your recordings. Professional input and output metering let you keep an eye on your levels. A flexible DSP mixer lets you create four discrete near-zero-latency monitor mixes. Front-panel Mute, Mono, and level controls let you work with your main mix.

Whether you're upgrading your studio or building a new space for your band to record, the Studio 1824c has you covered with superior mic preamps, expandable inputs, and powerful, easy-to-use onboard monitor mixing to give you the world-class results you want.

• Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
• 2 mic/instrument/line inputs with XMAX Class A mic preamps
• 6 mic/line inputs with XMAX Class A mic preamps
• 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
• 2 balanced ¼-inch TRS main outputs and 8 balanced ¼-inch TRS line outputs for monitor mixing, all DC coupled for sending control voltages
• 2 stereo headphone outputs with individual level controls
• Stereo S/PDIF digital I/O and MIDI In/Out
• 18x8 onboard DSP monitor mixer
• Front-panel level controls plus Mono and Mute buttons for the main outputs
• True +48V phantom power for condenser microphones (global)
• 10 ladder-style 8-LED level meters (8 input, 2 main output)
• 24-bit resolution, 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
• Includes Studio One Artist®, Studio Magic Software Suite, and Ableton® Live Lite

With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.

The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.

With the included PreSonus Studio One™ Artist DAW and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).

• 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
• 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
• Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
• 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
• 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• MIDI I/O and BNC word clock I/O with low-jitter clocking
• PreSonus® Studio One™ Artist and Studio Magic Software Suite included
• 1U rack-mountable, with all-metal chassis and metal knobs

18-Input, 16-Channel Series III Stage Box And Rack Mixer.

The StudioLive® 16R digital mixer is four audio tools in a single rackspace. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 36-channel (18x18) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.

• Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
• 18 input-channel digital rack mixer with 16 digitally controlled XMAX mic/line inputs, 2 FLEX FX returns, 10 mix buses, 6 FlexMixes (Aux, Subgroup, Matrix), 2 dedicated FLEX FX buses, Stereo Main bus
• 130 simultaneous processors: HPF, Gate/Expander, Compressor with Fat Channel plug-in models, 4-band/6-band parametric EQ with Fat Channel plug-in models, Limiter
• 31-band graphic EQ
• 4 FLEX FX slots featuring legendary classic reverb emulations and delays
• State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
• 6 DCAs to control groups of channels
• 36-channel (18x18) recording over USB
• Onboard stereo SD recorder with true Virtual Soundcheck mode
• AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
• Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
• Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
• Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
• Put your musicians' monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
• Capture® 3.0 multitrack software included
• Advanced Studio One® integration (Studio One Artist Included)
• Ableton® Live Lite included

2x2, 192 KHz, USB-C™ Compatible Audio Interface And Production Controller.

The ioStation 24c gives you the tools you need to record and mix with the ease of hands-on, tactile control - all in a single device that doesn't clutter your creative space. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader.

• Two products in one: audio interface and production controller
• 24-bit/192 kHz audio interface with 2 mic/instrument/line inputs with XMAX mic preamps, 2 balanced ¼-inch TRS main outputs, headphone output with independent level control
• Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop, Drop Marker, Next/Prev Marker, Next/Prev Event
• General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Click On/Off
• Session Navigator provides quick control over Track Scrolling, Timeline Scrolling, and much more
• Channel Controls: Level, Pan, Solo, Mute, Rec Arm
• Automation Controls: Touch, Latch, Trim, Write, Read, Off
• macOS®- / Windows®-compatible with native Studio One® support and HUI and Mackie Control Universal emulation
• Footswitch input for hands-free start/stop (footswitch not included)
• Studio One Artist included
• Ableton Live Lite included
• Studio Magic software suite included

Whether you're recording your first album or your hit podcast's latest episode, the Studio 24c will help you sound your best. With two of PreSonus®' pristine XMAX-L mic preamps for recording vocals, high-headroom instrument preamps so you can connect your guitar or bass directly to your interface, and professional input metering so you can keep track of your recording levels, the Studio 24c delivers amazing sound quality in a rugged, compact form factor.

• Simultaneous I/O up to 2 inputs/2 outputs
• 2 mic/instrument/line inputs with XMAX-L mic preamps
• 2 balanced ¼-inch TRS main outputs to connect professional studio monitors
• High-power headphone output
• MIDI In/Out
• Mixer knob for low-latency direct input monitoring
• Front-panel level controls for main outputs
• 4 ladder-style LED level meters (2 input, 2 main output)
• 24-bit resolution, 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
• Includes Studio One Artist®, Studio Magic Software Suite, and Ableton® Live Lite

Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7's cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don't. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can't always do.

A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you're ready to start producing right out of the box!

• Professional condenser microphone at an unbeatable price
• Great choice for recording vocals, guitar, podcasts, and more
• Exceptional clarity throughout its frequency-response range, with a warm top end
• Cardioid polar pattern
• Side address
• Hard stand mount, 10' XLR cable, and carry case included
• 1-inch (25 mm) back electret condenser capsule
• Rugged construction

Whether you're upgrading your listening experience or producing music, Eris® E5 studio monitors deliver superior sound in a stylish design. Equipped with 80W of Class AB biamplification, flexible connectivity and a robust suite of acoustic tuning controls to mitigate room anomalies, Eris E5s deliver a smooth, refined sound that accurately reproduces transients and high frequencies, while providing a less-fatiguing listening experience during marathon mixing and production sessions.

A five-inch woven-composite woofer helps break up reflected energy to provide a constant dispersion pattern, for a cleaner overall sound, delivering a smooth low end that belies the Eris E5's compact size. The custom-designed silk-dome tweeter's wide dispersion pattern creates a large sweet spot and superior stereo imaging.

A speaker's performance can be impaired by room placement and anomalies. That's why the Eris E5 offers acoustic tuning controls that let you configure the speaker for your room for the most accurate listening experience. You get Low-cut, Mid and High controls as well as a three-way Acoustic Space tuning that compensates for the effects of placement against a wall or in a corner. Balanced XLR and ¼-inch TRS and unbalanced RCA line-level inputs make it easy to connect virtually any line-level source.

Suitable for both home recording studios and professional production, Eris E5 studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus®.

• 5.25-inch woven composite low-frequency transducer
• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• 80 watt, Class AB biamplification
• Front-firing acoustic port for superior bass-frequency reproduction
• Acoustic Tuning control for accurate mixing contour: Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), Highpass filter (Off, 80 Hz, 100 Hz)
• Acoustic Space settings (flat, -2, -4 dB)
• RF interference, output current limiting, over-temperature, transient, and subsonic protection
• Optimized, resonance-suppressing internal bracing
• Balanced XLR/¼-inch and unbalanced RCA inputs
• 102 dB maximum continuous SPL

The Eris® E66 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

• Nested MTM (D'Appolito) design with dual woven composite drivers provides smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations
• MTM (D'Appolito) design minimizes phase displacement and leads to improved spatial resolution and a much wider sweet spot
• Dual 6.5-inch, custom-woven Kevlar LF/midrange drivers produce dynamic, size-defying bass output
• 1.25-inch, silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
• 140W Class A/B bi-amplification for an open, clear, and less fatiguing listening experience
• Includes Studio Magic, a suite of over $1000 USD worth of music production software

The Eris® E44 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional two-way speaker designs can cause significant early reflections from their surrounding environment. The Eris E44 studio monitor overcomes this by positioning a 1.25-inch, silk dome, high-frequency driver between two 4.5-inch midrange drivers that cover the same frequency range.

The combined signal of the two relatively small drivers propagates forward like a single waveform, behaving like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint resulting in size-defying bass reproduction. At the same time, the two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

Like all Eris studio monitors, the E44 offers flexible connectivity and extensive acoustic tuning controls. The three-position Acoustic Space switch plus High and Mid controls help to mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.

• Nested MTM (D'Appolito) design with dual woven composite drivers provides smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations
• MTM (D'Appolito) design minimizes phase displacement and leads to improved spatial resolution and a much wider sweet spot
• Dual 4.5-inch, custom-woven composite LF/midrange drivers produce dynamic, size-defying bass output
• 1.25-inch, silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
• 90W Class A/B bi-amplification for an open, clear sound, and less fatiguing listening experience
• Includes Studio Magic, a suite of over $1000 USD worth of music production software

4.5-Inch 2-Way Active Studio Monitors With EBM Wave Guide.

The Eris® Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and a wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. Designed for superior performance in both home studios and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

• 4.5-inch, woven-composite, low-frequency transducer
• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• 120˚(H) x 60˚(V) EBM waveguide for wide sweet spot
• Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
• 50W, Class AB biamplification
• 55 Hz to 20 kHz frequency response
• 100 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning controls: HF (±6 dB, continuously variable); Midrange (±6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
• RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier "soft start" feature (eliminates popping on power-up)
• Internal power supply with IEC connector and power switch with on/off LED
• Balanced XLR and ¼-inch inputs and unbalanced RCA inputs