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Rummut ja Perkussiot

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Items 241 to 250 of 1336 total

  1. INV10271

    Snare throw-off

    • Hole distance 38 mm, high
    • Pearl style
    • Including screws
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  2. INV10272

    Snare throw-off

    • Casted lever throw-off
    • Hole spacing 40 mm
    • Including screws
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  3. INV10298

    Yamaha Stage Custom, loved by drummers all over the world since 1995. Made from 100% birch wood, which has been used as a typical material for Yamaha drums for many years, is used to create same high functionality and quality as the high-end class. Stage Custom Birch is a solid drum for solid drummers.

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  4. INV10379

    This specially designed drum key offers both fine and fast tuning and is shaped and rounded to perfectly fit your fingers. The knurled knob at the end of the key allows you to quickly spin the TDK10 during initial tension rod tightening for rapid head changes.

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  5. INV10702

    Rohema JB 1 jazz brush has fine bristles made of metal and a handle made of wood.

    We manufacture the handle from high-quality hickory. With a diameter of 14.5 millimeters, it lies comfortably in the hand and feels good. The rubber coating between the wooden handle and the wires is important, especially for accents on the cymbals, which sound less sharp this way.

    Small rubber rings can be used to adjust how far the metal wires should be fanned out. The wires are not too stiff, but not too loose either. This results in a warm, mellow sound that is very suitable for Jazz or Latin music.

    The wirebrushes JB1 compared to their counterparts with plastic handle have one advantage: they also provide a very nice sound when turning the handle upside down and are thus maximally flexible to use.

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  6. INV10703

    The Rohema JB 2 jazz brush produces buzzing, high-frequency sounds with its fine metal wires. The sound thus clearly stands out from other brushes with bristles made of wood or plastic. The JB2 is well suited for Funk or Latin music.

    The handles of the drum brush are made of rubber and thus create a different feel than the Rohema JB1 with its wooden handles.

    The metal bristles of the JB2 can be pulled into the handles, so they are well protected. In addition, the wires in the handle can be locked in two positions to create further gradation in sound.

    The flexibility of the wires is not too stiff and not too loose - optimal for wiping or beating. The JB2 thus has a very compact feel overall. Many Rohema artists use it as the basis for their playing.

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  7. INV10704

    Rohema JB 3 brushes have resistant bristles made of nylon. This plastic comes from European manufacturing and has a very smooth surface. It produces rich, low-frequency sounds. Overall, the JB 3 nylon brushes sound a bit bulkier than their metal counterparts with thin wires. The JB 3 brushes' handle is made of durable Hickory and has a diameter of 15.5 millimeters.

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  8. INV10705

    Rohema Straw Brushes are a combination of brushes and rods. They are made from bundled European broomcorn, which creates a sound all its own. Straw Brushes create more volume than traditional jazz brushes, but have less attack than rods. Thus, they create a pleasantly light feel on cajon, hi-hat or snare. Thanks to the special handle with ProGrip, the brushes fit comfortably in your hand. The diameter is 21 millimeters, with a length of 360 millimeters.

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  9. INV10706

    Prepare yourself for entirely new sound possibilities on drumset, cajon and various percussion instruments with these very special brushes.

    To manufacture the Flat Straw Brushes, we use European Broomcorn. Its slightly darker, bundled bristles have a higher moisture content and are therefore a bit heavier. This ensures a slight top-heaviness and a very pleasant rebound behavior. The wide, fanned-out playing surface of the Flat Brushes produces unique, smacking sounds, while the rather slim handle feels comfortable.

    You can use the Flat Brushes just to play as usual, but you can also use them like brushes. The broomcorn provides slightly less attack than the wooden bars of rods, but much more volume than classic metal brushes. You can use the Flat Straw Brushes for quieter passages on the drum kit or in jazz, for example, or on the cajon.

    In combination with other brushes or sticks, you have everything you need for creating out-of-the-ordinary sound experiments.

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  10. Years ago, Steve and Vic solved the age-old problem of wire brushes snagging on new coated heads by slightly angling the wires in the playing end. Steve has refined the design once more with a new angle that allows the wires to better glide across the head, providing a smoother sweep and a velvet swish! Additionally, the retractable pull-rod now includes a third crimp that offers the player an enhanced setting capability. Read more
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Items 241 to 250 of 1336 total