Mikrofonit

Due to its enormous dynamic range of 132 dB and a remarkably uniform cardioid pickup pattern, the TLM 102 is a very easy to use microphone for home and project studios, and also for demanding live applications. Its uncolored sound and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. The TLM 102 is a true workhorse for any small studio!

• Compact microphone with genuine Neumann large diaphragm capsule 
• Uniform cardioid pattern
• Transformerless circuitry for high SPLs without distortion
• Very low self-noise 
• Gentle treble lift for silky highs
• Integrated pop screen

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Professional quality dual-diaphragm condenser microphone with five independant polar patterns for advanced home and studio recording. Two 1 inch diaphragms deliver warm and precise sound.

• Dual-diaphragm true condenser microphone
• Five switchable polar patterns
• 3-position switchable low cut/roll-off filter
• 3-position pad switch
• Two 24-carat gold plated 1 inch diaphragms
• Shock-mounted capsule
• Rugged metal housing
• Safely sheltered electronics
• Designed and made in Germany

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State-of-the-art small diaphragm condenser microphone.

• Cardioid pickup pattern without off-axis coloration
• Very low self-noise
• High SPL capability
• Transformerless electronics

UNCOLORED, TRANSPARENT, VERSATILE

The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

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The NT5 is a premium small-diaphragm condenser microphone designed for critical recording applications. Featuring a 1/2-inch gold-sputtered cardioid condenser capsule, it delivers a smooth, balanced sound with very low self-noise. Its exceptionally accurate cardioid polar pattern and wide frequency response make the NT5 ideal for recording everything from acoustic instruments to drum overheads and cymbals to live performances and dialogue on-location. Read more

Shure Beta 52A, dynamic microphone, Supercardioid, Frequency Response 20 - 10,000 Hz, Max SPL 174 dB Sensitivity -64 dBV / Pa * (0.6 mV), for example, for bass drum, bass guitar, weight 605 g, included microphone bag, 3/8 "Thread Adapter Read more

Audix D2 - special microphone for toms.

• prof. dynamic microphon
• hyper cardioid
• 44 - 18kHz, 250 Ohm
• max SPL 144dB
• also good for congas, etc.

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Audix D4 - professional dynamic microphone for floor tom and bass drum, hypercardioid, 38Hz-19kHz, 200ohm, 144dB max SPL, also suitable for bass guitar etc. Read more

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Shure Beta 56A - dynamic instrument microphone, supercardioid, stand connection, includes bag. Recommended for toms, snare, percussion and brass instruments. Weight: 468g Read more