The JTS CX-516 is a high-quality, miniature unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response and low noise characteristics have made it a standard for use with acoustic string instruments: violins, cellos, as well as woodwind instruments, accordion, and organ (Leslie) cabinets. The tailored sound characteristics, superb transient response allows detailed transparent reproduction of the sound source. The mini flexible gooseneck design provides quick pinpoint miking via the built in mounting clip.
RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a 'pencil mic'. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule.
Externally biased condenser
Cardioid or Omni polar pattern using included interchangable capsules
Gold sputtered 1/2” capsule
Three position PAD - 0dB, -10dB and -20dB
Three position High-Pass Filter - flat, 75Hz and 150Hz
The e 614 is a super-cardioid condenser microphone, designed for demanding instrument recordings and performances that require extended frequency response, high SPL handling, fast transient response and compact size. While drumset overhead miking was the first design priority, the e614 also works exceptionally well on percussion setups as well, fitting comfortably into tight setups. The e 614 can handle high SPLs and features medium sensitivity, which ensures reduced bleed from other instruments on stage. Because of its excellent acoustic properties, this mic is also ideal for home recording.
40-20,000 Hz
Designed for demanding applications where extended frequency range, high SPL handling, fast transient response and small size are required
Captures the shimmer and the contact of sticks, mallets and hands
Nearly flat response from 40 Hz to 20 kHz and a supercardioid pattern
Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom.
Full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection (also available with a switch: e 845-S).
Dynamic super-cardioid microphone for speech and vocals
Extended high frequency range
Consistent sound quality (varying distances, moving off axis)
Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7's cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don't. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can't always do.
A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you're ready to start producing right out of the box!
Professional condenser microphone at an unbeatable price
Great choice for recording vocals, guitar, podcasts, and more
Exceptional clarity throughout its frequency-response range, with a warm top end
Cardioid polar pattern
Side address
Hard stand mount, 10' XLR cable, and carry case included
MTP 440 DM is tailored for your snare drum, wind instrument, or amp. It features a high-performance capsule that delivers remarkable sound, live and in the studio.
The Samson C02 Pencil Condenser Microphones are small-diaphragm mics designed to capture every nuance and characteristic of your productions. Excelling in both live and recording applications, their low mass diaphragms employ a linear frequency response with optimal transient pickup that make the C02s perfect for miking acoustic instruments. With the ability to handle sound pressure levels of up to 134dB SPL, the C02s are just as ideal for use as drum overheads or cymbal mics.
Small-diaphragm pencil condenser microphones
Packaged as a stereo pair (matched within ±0.5dB sensitivity of each other)
Cardioid pickup pattern
Up to 134dB SPL
Gold-plated XLR connectors
Protective carry case, shock-mounted mic clips and windscreens included
Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent output with unmatched sound in high SPL situations. The Q3 can be rotated up to 90 degrees for easy positioning. This microphone brings great sound without feedback to any stage or studio.
Neodymium element delivers maximum output
Hypercardioid pattern reduces feedback
Mic rotates 90 degrees for easy positioning
Transformerless design reproduces extended low end frequencies with minimal distortion
Aluminum humbucking voice coil
Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums
Switchable 12 dB per octave high pass filter helps eliminate stage rumble
Triple-plated multi-stage windscreen allows close proximity use with minimal noise
Multi-axis shock-mount mic element enables quiet performance
Sturdy Zinc casing and "anti dent" ring
Foam-lined carry case, mic clip and "Euro-metric" mic stand adapter included
Gold-plated balanced XLR connector for maximum conductivity