Audioin­ter­facet

15-pin D-sub to 4 x XLR Analog, 2 x MIDI, 1 x Phones, for HDSP 9632 and HDSPe AIO. Read more

USB Advanced Remote Control for Fireface UFX+ and TotalMix FX This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations. The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! Read more

The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.

Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

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RME presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC/video). All this combines into a professional 'soundcard' that the world has not seen before. Read more

Mini-DIN to 4 x MIDI (BOHDSP9652MIDI) For HDSP 9652, HDSPe RayDAT, HDSP AES-32, HDSPe AES, HDSP MADI, HDSPe MADI and Fireface 400/UC/UCX. Read more

Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

• +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
• Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
• 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
• Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
• 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).
• All the above improvements were achieved without raising the units power consumption.
• K-slot for theft protection.

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The RME 12Mic is a twelve channel remote controllable microphone preamplifier with no-compromise A/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording. Read more

RME introduces the HDSPe AIO Pro PCI Express interface card, the successor of the popular HDSPe AIO. The Pro version provides professional users in the fields of studio and broadcast with the same high channel count as well as analog/digital input and output variety of the HDSPe AIO. In terms of technical features RME has completely reworked the HDSPe AIO Pro, defining the current state-of-the-art in PCI Express cards.

• Balanced* stereo analog in- and output, 24-bit/192kHz
• All analog I/Os capable of 192 kHz, constant number of available channels
• 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
• 1 SPDIF digital I/O, 192 kHz-capable
• 1 AES/EBU digital I/O, 192 kHz-capable
• 1 High Power Headphone Output, separate DA-converter and playback device
• 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
• DIGICheck, RME's unique metering- and analysing tool
• TotalMix FX: 760 channel Mixer with 42 bit internal resolution
• Native PCI Express - no PCI to PCI Express bridge used
• Outputs with Mute Relais
• +24 dBu I/O Levels

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RME’s reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC). Read more

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. Read more