Audioin­ter­facet

RME introduces the HDSPe AIO Pro PCI Express interface card, the successor of the popular HDSPe AIO. The Pro version provides professional users in the fields of studio and broadcast with the same high channel count as well as analog/digital input and output variety of the HDSPe AIO. In terms of technical features RME has completely reworked the HDSPe AIO Pro, defining the current state-of-the-art in PCI Express cards.

• Balanced* stereo analog in- and output, 24-bit/192kHz
• All analog I/Os capable of 192 kHz, constant number of available channels
• 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
• 1 SPDIF digital I/O, 192 kHz-capable
• 1 AES/EBU digital I/O, 192 kHz-capable
• 1 High Power Headphone Output, separate DA-converter and playback device
• 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
• DIGICheck, RME's unique metering- and analysing tool
• TotalMix FX: 760 channel Mixer with 42 bit internal resolution
• Native PCI Express - no PCI to PCI Express bridge used
• Outputs with Mute Relais
• +24 dBu I/O Levels

Rackmount adaptor to mount all half 19" RME units.

Compatible to: Multiface 2, Fireface 400, Fireface UC, Fireface UCX, Fireface UCX II, QuadMic 2, MADIface XT, ADI-2, ADI-2 FS, ADI-2 Pro, ADI-2 Pro FS, ADI-2 Pro FS BE and AVB Tool.

RME Hammerfall DSP 9632 is the world's most versatile All-In-One PCI Audio Interface.

• Balanced stereo analog in- and output, 24-Bit/192kHz, > 110 dB SNR
• Optional analog expansion boards with 4 balanced in- or outputs
• All analog I/Os capable of 192 kHz, constant number of available channels
• 1 ADAT digital I/O, supporting 96 kHz S/MUX operation
• 1 SPDIF digital I/O, 192 kHz-capable
• 1 Breakout cable for coaxial SPDIF*
• Up to 16 I/Os can be used simultaneously!
• 1 Stereo headphone output, parallel to the analog out, additional level settings
• 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
• DIGICheck, RMEs unique metering- and analysing tool
• HDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware
• TotalMix: 512 channel Mixer with 40 Bit internal resolution

The HDSPe AES is a short-length PCI Express card with AES/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I/O ports, word clock I/O, and can be used with the optional TCO module for synchronization to LTC and video.

• Support for 192 kHz at full channel count
• Native support for Double and Quad Wire transfer
• Direct conversion between these formats
• SteadyClock for highest jitter suppression and clock regeneration
• Intuitive and clearly laid-out user interface
• TotalMix: 512 channel mixer with 42 bit internal resolution
• 48 level meter Peak/RMS, hardware-computed

PreSonus® was a pioneer in high-channel-count audio interfaces and has spent the last 20 years creating the best audio interfaces for recording large sessions. Building on this legacy, the Studio 1824c provides amazing sound-quality with eight of PreSonus' lauded XMAX analog mic preamps onboard and pristine 24-bit 192 kHz conversion. Add two low-noise instrument preamps, balanced line-level inputs, and an ADAT input to add 8 more channels whenever you need them, and you have an audio interface ready to record just about any session.

When you have the right tools, any job is easier and faster to finish. High-quality converters and PreSonus' professional-grade XMAX mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound, so you'll hear every breath, transient, and detail in your recordings. Professional input and output metering let you keep an eye on your levels. A flexible DSP mixer lets you create four discrete near-zero-latency monitor mixes. Front-panel Mute, Mono, and level controls let you work with your main mix.

Whether you're upgrading your studio or building a new space for your band to record, the Studio 1824c has you covered with superior mic preamps, expandable inputs, and powerful, easy-to-use onboard monitor mixing to give you the world-class results you want.

• Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
• 2 mic/instrument/line inputs with XMAX Class A mic preamps
• 6 mic/line inputs with XMAX Class A mic preamps
• 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
• 2 balanced ¼-inch TRS main outputs and 8 balanced ¼-inch TRS line outputs for monitor mixing, all DC coupled for sending control voltages
• 2 stereo headphone outputs with individual level controls
• Stereo S/PDIF digital I/O and MIDI In/Out
• 18x8 onboard DSP monitor mixer
• Front-panel level controls plus Mono and Mute buttons for the main outputs
• True +48V phantom power for condenser microphones (global)
• 10 ladder-style 8-LED level meters (8 input, 2 main output)
• 24-bit resolution, 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
• Includes Studio One Artist®, Studio Magic Software Suite, and Ableton® Live Lite

A 6-channel live streaming mixer with USB audio interface.

• Two condenser microphones can be used simultaneously
• +48 V phantom power on CH1-2 input for condenser mics or Dl boxes
• Hi-Z input for guitars on CH2
• High resolution (24-bit, 192 kHz) 2-track audio recording and playback
• 4-pole mini input/output (TRRS) to support a wider range of streaming applications
• Flexible inputs and LOOPBACK function ideal for live streaming or recording
• Mute button for convenient live streaming
• Easy control and pro sound with 1-TOUCH effects (COMP/EQ, REVERB and Amp Simulator)
• AG Controller (Windows/Mac/iOS ) for precise parameter control
• Windows/Mac support by USB-C connection
• iOS connectivity via Apple Camera Adapter (requires external USB power supply)
• Android supported by 4-pole mini input/output (TRRS)
• USB-C power input (5 V DC, 900 mA)
• Cubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available

With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.

The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.

With the included PreSonus Studio One™ Artist DAW and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).

• 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
• 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
• Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
• 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
• 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• MIDI I/O and BNC word clock I/O with low-jitter clocking
• PreSonus® Studio One™ Artist and Studio Magic Software Suite included
• 1U rack-mountable, with all-metal chassis and metal knobs

18-Input, 16-Channel Series III Stage Box And Rack Mixer.

The StudioLive® 16R digital mixer is four audio tools in a single rackspace. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 36-channel (18x18) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.

• Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
• 18 input-channel digital rack mixer with 16 digitally controlled XMAX mic/line inputs, 2 FLEX FX returns, 10 mix buses, 6 FlexMixes (Aux, Subgroup, Matrix), 2 dedicated FLEX FX buses, Stereo Main bus
• 130 simultaneous processors: HPF, Gate/Expander, Compressor with Fat Channel plug-in models, 4-band/6-band parametric EQ with Fat Channel plug-in models, Limiter
• 31-band graphic EQ
• 4 FLEX FX slots featuring legendary classic reverb emulations and delays
• State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
• 6 DCAs to control groups of channels
• 36-channel (18x18) recording over USB
• Onboard stereo SD recorder with true Virtual Soundcheck mode
• AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
• Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
• Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
• Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
• Put your musicians' monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
• Capture® 3.0 multitrack software included
• Advanced Studio One® integration (Studio One Artist Included)
• Ableton® Live Lite included

With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, livestreams, and music productions. Featuring a pristine analog front end with four high-gain XMAX mic preamps and an 8x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR8c's hybrid design makes it simple to mix and record. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level input sources and consumer devices, Bluetooth® connectivity, a stereo SD recorder, and high-impedance instruments inputs, and you have a broadcasting and recording powerhouse that fulfills the needs of modern musicians and content creators.

• 8x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface; record every channel plus the main mix
• 2x2 SD recorder (record main mix); supports SD and SDHC formats up to 32 GB
• 8-channel analog mixer with:
  • 4 balanced microphone inputs with XMAX mic preamps, 2 instrument/line inputs, and 2 pairs of stereo balanced line inputs
  • Stereo Super Channel (Ch. 7/8) with Bluetooth®0 wireless, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
  • Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
• Complete recording solution: Includes Capture™ live-recording software and Studio One® Artist DAW for Mac® and Windows