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PreSonus® HD9 professional studio headphones feature 45 mm dynamic, neodymium drivers in a closed-back acoustic design that provides superior listening isolation and reduces headphone bleed. Its tailored frequency response extends all the way from 10 Hz to 26 kHz, with accurate bass response, enabling precise mixes. The HD9 offers high power handling (900 mW per channel into 40 ohms) while providing comfort, durability, and reduced listening fatigue.

• High resolution drivers
• Precision-tuned acoustic chamber
• Extended bass response
• Comfortable and long-lasting ear pads
• Lightweight

2-Way Biamped, Active 6.5-Inch Coaxial Studio Monitors.

Listen to your mixes reproduced with lifelike realism! The Eris® Pro 6's symmetric design and consistent acoustic center provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

• Single point-source coaxial design for wider sweet spot and better phase alignment
• 6.5-inch, woven-composite, low-frequency driver
• 1.25-inch, silk-dome, high-frequency driver
• 140W, Class AB amplification
• 35 Hz to 20 kHz frequency response
• 106 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (±6 dB, center 10 kHz, continuously variable), Mid Frequency (±6 dB, center 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• XLR and ¼-inch TRS balanced and RCA unbalanced rear-panel inputs
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)
• Wall and ceiling mountable

Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 stereo personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. Portable and compact, it offers two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control and can be powered by a 9V battery or a DC power supply. Operation can be switched between stereo and mono, and a Pan knob is provided. A 2m audio cable is included.

• Battery-powered, stereo headphone amplifier
• Inputs: 2 female XLR connectors
• Output: stereo, 1/8" phone connector
• Power: 9V battery or DC power supply
• Volume and Pan control knobs

Tired of straining to hear underpowered headphones? The PreSonus® HP4 headphone-distribution system is louder than you're ever likely to need for session and stage use. (Be careful with that level control!) Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!

Simplicity is the HP4's hallmark. It offers left and right line inputs, left and right line outputs with level control, and four headphone outs. You can sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.

The compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just one-third of a rackspace. If your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier.

So quit struggling with mediocre headphone amps. Get the PreSonus HP4 and hear everything loud and clear. You

• 4 screaming-loud (130 mW per channel) stereo ¼-inch headphone outputs (front panel
• 2 balanced ¼-inch line outputs (monitor outputs)
• 2 balanced ¼-inch line inputs
• Headphone level control for each channel
• Mono summing switch for each channel
• Monitor level control and mute switch
• Daisy-chain multiple units via monitor outputs
• Compact 1/3U rack-mount chassis
• Sealed, detented, metal rotary controls
• External 16 VAC power supply

Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ's unique design is optimized for both classic TR-style, 16-step beat sequencing and drum-pattern editing in Studio One® or playing instruments and launching clips in Ableton® Live - yet its staggered and RGB-lit 32-pad configuration is instantly familiar to anyone who has played a keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator and user-configurable touch strip make the ATOM SQ the most expressive controller you'll ever use.

• Hybrid MIDI keyboard/pad performance and production controller with Studio One® Artist and Ableton® Live Lite both included
• 32 velocity- and pressure-sensitive, RGB LED pads in a unique, staggered layout; intuitive for keyboard players and step sequencer fans
• Context-sensitive screen displays valuable parameter information, including CC assignments, swing, and much more
• Eight endless rotary encoders can be easily configured to control nearly any software parameter
• Expressive arpeggiator for dramatic, easily-performed melodies
• Constrain to Scale feature puts an end to wrong notes forever
• MCU and HUI modes for transport control in nearly every DAW
• Powerful MIDI mode lets you control your favorite DAW or virtual instrument with ease
• Deep integration with Studio One. Studio One Artist production software for macOS® and Windows® included
• Official Live Integration. Ableton Live Lite included (for registered users after October 20, 2019)
• 2 bonus loop packs with custom kits for Studio One's Impact XT
• Compatible with most music production and performance software for macOS and Windows

A fantastic solution for anyone who mixes in the box, the FaderPort augments the way you currently mix. You'll still use your faithful keyboard and mouse for things they do well while getting your hands on your mix with over 40 key functions under your fingertips. This is DAW control the way you always hoped it could be!

• Single touch-sensitive, 100 mm long-throw, motorized fader
• Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop, Drop Marker, Next/Prev Marker, Next/Prev Event
• General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Click On/Off
• Session Navigator provides quick control over Track Scrolling, Timeline Scrolling, and much more
• Channel Controls: Level, Pan, Solo, Mute, Rec Arm
• Automation Controls: Touch, Latch, Trim, Write, Read, Off
• macOS®- / Windows®-compatible with native Studio One® support and HUI and Mackie Control Universal emulation
• Footswitch input for hands-free start/stop (footswitch not included)
• USB 2.0 connectivity
• Studio One Artist included
• Ableton Live Lite included
• Studio Magic software suite included

Get the most from your microphone with The Broadcast Accessory Pack - everything podcasters, live streamers, gamers, and YouTubers need to level up their online presence in a convenient bundle! The rugged PBA-1 boom arm is suitable for use with Revelator, PX-1, PD-70, or nearly whatever mic you like - and gets your mic up off of your desk, freeing up valuable tabletop space while providing unlimited positioning options. An APF-1 pop filter is also included to help reduce the plosive sounds that can occur when recording loud vocalists or employing close mic positioning. The lightweight HD7 headphones sound great, remain comfy over marathon streaming or production sessions. And to top it all off, PreSonus threw in a 10-foot XLR cable for connecting your mic to your interface.

• Single-purchase microphone accessory solution
• PBA-1 microphone boom arm features adjustable tension and is compatible with Revelator, PX-1, PD-70, and most standard microphones
• Includes a 5/8" male to 3/8" female thread adapter for use with standard microphone mounts
• APF-1 pop filter reduces vocal plosive sounds in your recordings and streams
• HD7 headphones are lightweight, comfortable, and great-sounding; includes ⅛" to ¼" adapter
• 10-foot XLR microphone cable included to connect your mic to your interface

Compact and lightweight, the PreSonus® AIR12 2-way active PA loudspeaker's 12-inch woofer and 1.35-inch HF driver deliver a rich, extended low-end and natural high-frequency extension in an enclosure that fits in the back of a small car. Backed by 1,200W (peak) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR12 gives you all the power and tools you need for both mobile and installed sound. A choice of inputs enables use with a variety of sources.

• 1.35-inch, high-frequency compression driver and 12-inch woofer with a 2.5-inch voice coil
• 900W (peak) Class D power amplifier for LF driver and 300W (peak) Class A/B amplifier for HF driver
• Maximum SPL 123 dB peak with 51 Hz to 20 kHz frequency response
• 90° x 60° (horizontal x vertical) dispersion pattern
• Onboard mixer with two combo XLR and ¼-inch inputs and one summed balanced output
• Easy-to-use DSP performance presets: DJ (music playback), FOH (normal front-of-house), Monitor (floor wedge), Speech (intelligibility)
• Additional presets and controls: Stand (pole or tripod mounting), Bracket (wall mounting), Suspend (flown applications)
• Rugged, plastic, multi-angle enclosure for mains or monitor-wedge applications, with comfortable ergonomic handle
• and tour-grade, 1.2 mm steel grille
• 35 mm pole socket with 7.5˚ downward tilt
• M10 rigging points for suspended installation

The PreSonus® Studio Channel channel strip is a wonderful studio tool that's great for live performance, too. Featuring a tube preamp, VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. With XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any audio interface, amp or PA.

The Class A preamp starts with a high-output 12AX7 tube for lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz high-pass filter and polarity reverse let you tweak your signals.

Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients so you can record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers an Auto Attack/Release feature with preset attack and release curves. The backlit VU meter displays gain reduction or output gain.

The three-band EQ is a precision tool that can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amps deliver sweet-sounding gain and cut for smooth highs, clear midrange and deep, solid lows. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls, and can be shelving or peak bands.

• Class A 12AX7 vacuum-tube mic/instrument preamplifier with Tube Drive control
• Gain control with +10 dB to +54 dB gain range
• 48V phantom power switch, 80 Hz high-pass filter, -20 dB pad, and Polarity-reverse switch
• Fully Variable VCA compressor with Attack, Release, Ratio, Threshold, and (makeup) Gain; Auto Attack/Release switch; Soft/Hard Knee switch; and Bypass switch
• 3-band parametric equalizer with Gain, Frequency and Q controls (mid band); Gain and Frequency controls and Shelving/Peak switches (low and high bands); switchable pre-/post-compressor; Bypass switch
• Backlit VU meter with Gain Reduction to Meter switch (gain reduction or output gain)
• 1 unbalanced ¼-inch instrument input (front panel), 1 balanced ¼-inch line input, and 1 balanced XLR mic input
• 1 balanced ¼-inch and 1 balanced XLR line output
• 1U 19-inch rack-mountable, rugged steel chassis with sealed, detented rotary controls
• External 16 VAC power supply

Placing studio monitor speakers directly on a hard surface such as a desk or unpadded stand can result in vibration and surface coupling that affects the sound of your speakers. PreSonus® ISPD-4 isolation pads eliminate this problem by acoustically isolating the speakers from the surface. The pads come in pairs that can be split into four halves, so you can use the entire pad, use half a pad for a small speaker, or separate the two halves and use both for extra width, such as with a horizontally placed speaker.

• Provides acoustical isolation for studio monitors
• Reduces vibration and surface coupling
• Can be divided into two sections to accommodate larger widths
• Capable of seven positioning options
• Dimensions (WxDxH): 10.4" (265 mm) x 13" (330 mm) x 1.6" (40 mm)