Tuotteet

State-of-the-art small diaphragm condenser microphone.

• Cardioid pickup pattern without off-axis coloration
• Very low self-noise
• High SPL capability
• Transformerless electronics

UNCOLORED, TRANSPARENT, VERSATILE

The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The AD-10 takes acoustic preamp design to an all-new level with its standout feature—BOSS’s groundbreaking Acoustic Resonance processing. This advanced tech restores the complex body and string resonances that are lost with most pickup systems, bringing back the expressive, organic vibe that’s so vital to the acoustic experience. And the features keep on coming, with transparent anti-feedback controls, memories for sound setups, an 80-second looper, USB audio, and much more. Hugely powerful yet simple to use, the compact AD-10 is your all-in-one companion for realizing impressive acoustic tones in every performing environment.

• Professional preamp/DI for performing and recording with acoustic-electric guitar
• Acoustic Resonance restores the warm and rich resonance lost with most pickup systems
• Four-band EQ and variable low-cut filter tuned to deliver optimized tone shaping for acoustic guitar
• Multi-band compressor with MDP technology provides transparent dynamics control
• Newly developed anti-feedback functions control feedback while maintaining balanced tone
• Two channels with independent EQ for connecting two instruments or blending multiple pickup sources
• Onboard ambience, delay, and chorus effects with multiple sound types and adjustable parameters
• Boost function with adjustable tone setting
• Memory function for storing 10 sound setups
• Onboard looper with 80 seconds of recording time
• XLR and ¼-inch connectivity for interfacing with PA systems, stage monitors, amps, and external effects
• USB audio interface functionality for computer recording and playback
• Fast and accurate built-in tuner
• Compact and portable design; runs on AC adapter or six AA-size batteries

The Fender Original Clip-On Tuner in vibration-based chromatic tuning system for acoustic and electric guitar, bass, mandolin, banjo, ukulele or any stringed instrument.

• Horizontal bright color LCD screen with curved lens
• Strong clamp with 360° swivel for viewing from any angle
• Calibration range from 430 to 450 Hz
• Tuning range: A0 (27.5Hz)–C8 (4186.0Hz); A4 range: 440Hz
• Precision: /- 1 cent
• Power supply: 3V (CR2032) lithium battery (included)
• Dimensions: 60mm x 27mm x 85mm; weight: 28.5g

Full control over your performance – everywhere, every day. The G4 In-Ear Monitoring Sets make your gig an extraordinary experience – not just for your audience, but also for you!

• Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications.
• Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage
• Half-rack stereo transmitter in a full-metal housing with OLED display for full control
• Easy and flexible wireless synchronization between transmitter and receiver via infrared
• Compatible with Sennheiser WSM control software for flexible frequency allocation
• Up to 16 compatible channels
• Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range
• Transmission Range: up to 100 meters / 300 feet
• High RF output power (up to 50 mW) depending on country regulations