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PreSonus®' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions. Whether you're monitoring, tracking, mixing, or just listening for pleasure, you can expect impressive sonic performance from your HD7 headphones.

• High resolution drivers
• Precision-tuned acoustic chamber
• Extended bass response
• Comfortable and long-lasting ear pads
• Lightweight

3.5-Inch Media Reference Monitors With® Bluetooth Wireless Technology.

Our best selling studio monitors just got better! Eris® 3.5BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

• 3.5-inch, woven-composite, low-frequency transducer
• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• Fast, reliable, stereo Bluetooth® 5.0 wireless input
• 50W (25W/side) Class AB amplification
• 80 Hz to 20 kHz frequency response
• 98 dB SPL (Peak, @ 1 meter)
• High- and low-frequency Acoustic Tuning controls
• Balanced, ¼-inch TRS inputs; unbalanced, ⅛-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel ⅛-inch output
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)
• Comes with speaker wire, ⅛-inch TRS to stereo RCA cable, and stereo ⅛-inch TRS to ⅛-inch TRS cable

2-Way Biamped, Active 6.5-Inch Coaxial Studio Monitors.

Listen to your mixes reproduced with lifelike realism! The Eris® Pro 6's symmetric design and consistent acoustic center provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

• Single point-source coaxial design for wider sweet spot and better phase alignment
• 6.5-inch, woven-composite, low-frequency driver
• 1.25-inch, silk-dome, high-frequency driver
• 140W, Class AB amplification
• 35 Hz to 20 kHz frequency response
• 106 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (±6 dB, center 10 kHz, continuously variable), Mid Frequency (±6 dB, center 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• XLR and ¼-inch TRS balanced and RCA unbalanced rear-panel inputs
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)
• Wall and ceiling mountable

The Eris® E44 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional two-way speaker designs can cause significant early reflections from their surrounding environment. The Eris E44 studio monitor overcomes this by positioning a 1.25-inch, silk dome, high-frequency driver between two 4.5-inch midrange drivers that cover the same frequency range.

The combined signal of the two relatively small drivers propagates forward like a single waveform, behaving like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint resulting in size-defying bass reproduction. At the same time, the two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

Like all Eris studio monitors, the E44 offers flexible connectivity and extensive acoustic tuning controls. The three-position Acoustic Space switch plus High and Mid controls help to mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.

• Nested MTM (D'Appolito) design with dual woven composite drivers provides smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations
• MTM (D'Appolito) design minimizes phase displacement and leads to improved spatial resolution and a much wider sweet spot
• Dual 4.5-inch, custom-woven composite LF/midrange drivers produce dynamic, size-defying bass output
• 1.25-inch, silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
• 90W Class A/B bi-amplification for an open, clear sound, and less fatiguing listening experience
• Includes Studio Magic, a suite of over $1000 USD worth of music production software

4.5-Inch 2-Way Active Studio Monitors With EBM Wave Guide.

The Eris® Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and a wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. Designed for superior performance in both home studios and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

• 4.5-inch, woven-composite, low-frequency transducer
• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• 120˚(H) x 60˚(V) EBM waveguide for wide sweet spot
• Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
• 50W, Class AB biamplification
• 55 Hz to 20 kHz frequency response
• 100 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning controls: HF (±6 dB, continuously variable); Midrange (±6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
• RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier "soft start" feature (eliminates popping on power-up)
• Internal power supply with IEC connector and power switch with on/off LED
• Balanced XLR and ¼-inch inputs and unbalanced RCA inputs

5.25-Inch 2-Way Active Studio Monitors With EBM Waveguide.

Building on the reputation of its award-winning predecessors, the Eris® Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

• 5.25-inch woven composite low-frequency driver
• 1-inch, ultra-low mass, silk-dome, high frequency driver
• Crossover Frequency, 3.5 kHz
• 120˚ x 60˚ EBM waveguide provides a sweet spot
• Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
• 80W, Class AB dual amplification
• 48 Hz to 20 kHz frequency response
• 102 dB Peak SPL (@ 1 meter)
• Acoustic Tuning Controls:
• Acoustic Space (Flat, -2 dB, -4 dB)
• High Frequency (±6 dB, center 10 kHz, continuously variable)
• Mid Frequency (±6 dB, center 1 kHz, continuously variable)
• Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• Inputs:
• XLR and 1/4-inch TRS balanced rear-panel inputs
• RCA unbalanced rear-panel inputs
• Protection:
• RF interference
• Output-current limiting
• Over-temperature
• Turn-on/off transient
• Subsonic filter
• Power Saver mode (engages after 40 minutes)

Powerful and musical, the PreSonus® Eris Pro Sub 10 active, front-firing studio subwoofer is designed to deliver fast and accurate transient response, extending low frequencies down to 20 Hz, allowing you to hear the full-spectrum range of your mix. Driven by 170W (RMS) Class AB amplification, the Eris Pro Sub 10's 10-inch, glass-composite, low-frequency driver delivers tight, responsive sub-bass, thanks to its lightweight and rigid cone. This design provides lower distortion than other materials for sub-bass reproduction that's as coherent and clear as your full-range monitors.

• 10-inch, front-firing, glass-composite, low-frequency transducer
• Front-firing, bass-reflex acoustic port
• Continuously variable lowpass filter (50 Hz to 130 Hz) sets the upper frequency reproduced by the subwoofer
• Switchable highpass filter removes frequency content below 80 Hz from the full-range subwoofer outputs to the main monitors
• Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out
• Input gain control (-30 dB to +6 dB, continuously variable), polarity invert switch, and ground-lift switch
• 170 watt (RMS), Class AB amplification for up to 113 dB SPL, with a frequency response of 20 to 200 Hz
• Left and right, balanced XLR and ¼-inch TRS and unbalanced RCA main inputs
• Left and right balanced XLR and ¼-inch TRS outputs and XLR subwoofer output for connecting a second Eris® Pro Sub 10

PreSonus® was a pioneer in high-channel-count audio interfaces and has spent the last 20 years creating the best audio interfaces for recording large sessions. Building on this legacy, the Studio 1824c provides amazing sound-quality with eight of PreSonus' lauded XMAX analog mic preamps onboard and pristine 24-bit 192 kHz conversion. Add two low-noise instrument preamps, balanced line-level inputs, and an ADAT input to add 8 more channels whenever you need them, and you have an audio interface ready to record just about any session.

When you have the right tools, any job is easier and faster to finish. High-quality converters and PreSonus' professional-grade XMAX mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound, so you'll hear every breath, transient, and detail in your recordings. Professional input and output metering let you keep an eye on your levels. A flexible DSP mixer lets you create four discrete near-zero-latency monitor mixes. Front-panel Mute, Mono, and level controls let you work with your main mix.

Whether you're upgrading your studio or building a new space for your band to record, the Studio 1824c has you covered with superior mic preamps, expandable inputs, and powerful, easy-to-use onboard monitor mixing to give you the world-class results you want.

• Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
• 2 mic/instrument/line inputs with XMAX Class A mic preamps
• 6 mic/line inputs with XMAX Class A mic preamps
• 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
• 2 balanced ¼-inch TRS main outputs and 8 balanced ¼-inch TRS line outputs for monitor mixing, all DC coupled for sending control voltages
• 2 stereo headphone outputs with individual level controls
• Stereo S/PDIF digital I/O and MIDI In/Out
• 18x8 onboard DSP monitor mixer
• Front-panel level controls plus Mono and Mute buttons for the main outputs
• True +48V phantom power for condenser microphones (global)
• 10 ladder-style 8-LED level meters (8 input, 2 main output)
• 24-bit resolution, 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
• Includes Studio One Artist®, Studio Magic Software Suite, and Ableton® Live Lite

Ultra-affordable, surprisingly powerful, and small enough to fit in your pocket, AudioBox GO™ gives you all the connections you need to record on the move or in your home studio. Whether you're recording a guitar riff at rehearsal or a full-length solo album in your bedroom, you'll have all the tools you need to create like a pro, right from the start. Compatible with both computers and mobile devices, the AudioBox GO is perfect for anyone who wants to get started recording fast.

You get a PreSonus® XMAX-L preamp backed by over 25 years of recording-studio knowhow to make your XLR microphones perform at their best. The combo jack doubles as a line-level input that you can use to record keyboards, drum machines, and more! Record guitar and vocals at the same time using the dedicated Instrument input for you electric guitar or bass.

Monitor with professional studio monitors using the balanced Main outputs. You also get a surprisingly powerful Headphone output that lets you listen in loud and clear. An easy-to-use Mix control makes creating a monitor mix simple by blending the audio from your hardware inputs and your software so you can record vocals while listening to the tracks you've already recorded.

Best of all, the AudioBox GO is small enough to toss into your guitar case or your laptop bag. Whether you're recording on Android™ or Apple® mobile devices, a laptop, your desktop computer, the AudioBox GO makes recording fun and easy.

• Ultra-affordable, ultra-compact and versatile audio interface for home and mobile recording.
• USB-C®-compatible for use with the latest devices.
• Recording software included: Get started right away with Studio One® Prime DAW recording software and Studio Magic Suite software bundle including music
tutorials, tons of sound samples and virtual instruments.
• Bus-powered by your connected USB-C® device so no need for an additional power supply - works great with both Apple and Android devices.
• Connect an instrument and a microphone at the same time: One TS instrument input to record guitar or bass and one mic/line combo input to record vocals or a keyboard, drum machine or other line-level instrument.
• One ¼-inch stereo headphone output
• Mix control lets you create a custom blend between inputs and playback for monitoring recordings with zero latency.
• Two balanced TRS ¼-inch main outputs for studio monitors or other speakers.
• Professional audio quality: Studio-grade converters allow for up to 24-bit/96 kHz recording and playback assuring the highest quality possible.
• Professional XMAX-L mic preamp: Your microphone will sound its best thanks to this custom low-noise, high-headroom design with 50 dB of adjustable gain and switchable +48V phantom power for professional XLR condenser mics.

With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.

The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.

With the included PreSonus Studio One™ Artist DAW and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).

• 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
• 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
• Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
• 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
• 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• MIDI I/O and BNC word clock I/O with low-jitter clocking
• PreSonus® Studio One™ Artist and Studio Magic Software Suite included
• 1U rack-mountable, with all-metal chassis and metal knobs