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PreSonus® HD9 professional studio headphones feature 45 mm dynamic, neodymium drivers in a closed-back acoustic design that provides superior listening isolation and reduces headphone bleed. Its tailored frequency response extends all the way from 10 Hz to 26 kHz, with accurate bass response, enabling precise mixes. The HD9 offers high power handling (900 mW per channel into 40 ohms) while providing comfort, durability, and reduced listening fatigue.

• High resolution drivers
• Precision-tuned acoustic chamber
• Extended bass response
• Comfortable and long-lasting ear pads
• Lightweight

2-Way Biamped, Active 6.5-Inch Coaxial Studio Monitors.

Listen to your mixes reproduced with lifelike realism! The Eris® Pro 6's symmetric design and consistent acoustic center provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

• Single point-source coaxial design for wider sweet spot and better phase alignment
• 6.5-inch, woven-composite, low-frequency driver
• 1.25-inch, silk-dome, high-frequency driver
• 140W, Class AB amplification
• 35 Hz to 20 kHz frequency response
• 106 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (±6 dB, center 10 kHz, continuously variable), Mid Frequency (±6 dB, center 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• XLR and ¼-inch TRS balanced and RCA unbalanced rear-panel inputs
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)
• Wall and ceiling mountable

5.25-Inch 2-Way Active Studio Monitors With EBM Waveguide.

Building on the reputation of its award-winning predecessors, the Eris® Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

• 5.25-inch woven composite low-frequency driver
• 1-inch, ultra-low mass, silk-dome, high frequency driver
• Crossover Frequency, 3.5 kHz
• 120˚ x 60˚ EBM waveguide provides a sweet spot
• Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
• 80W, Class AB dual amplification
• 48 Hz to 20 kHz frequency response
• 102 dB Peak SPL (@ 1 meter)
• Acoustic Tuning Controls:
• Acoustic Space (Flat, -2 dB, -4 dB)
• High Frequency (±6 dB, center 10 kHz, continuously variable)
• Mid Frequency (±6 dB, center 1 kHz, continuously variable)
• Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• Inputs:
• XLR and 1/4-inch TRS balanced rear-panel inputs
• RCA unbalanced rear-panel inputs
• Protection:
• RF interference
• Output-current limiting
• Over-temperature
• Turn-on/off transient
• Subsonic filter
• Power Saver mode (engages after 40 minutes)

Adding a subwoofer to full-range speakers enables you to hear the low-frequency foundation of your mix more accurately so you can make better-informed decisions and create more translatable mixes. The surprisingly loud, 100 watt Eris® Sub 8BT drops down to a molar-rattling 30 Hz, so you'll hear the full sonic spectrum and produce better mixes. For EDM and hip-hop producers, in particular, a subwoofer is a must-have.

• 8-inch composite low-frequency driver
• Bluetooth® 5.0 wireless audio stereo input
• 50W RMS, Class AB power amplifier
• 30 Hz to 200 Hz frequency response
• 100 dB SPL (Peak, @ 1 meter)
• Input gain control (-30 dB to +6 dB, continuously variable)
• Continuously variable lowpass filter (50 Hz to 130 Hz)
• Defeatable highpass filter removes frequency content below 80 Hz from the full-range signal sent from the Eris® Sub 8BT outputs to the main speakers
• Left and right, balanced ¼-inch TRS and unbalanced RCA main inputs
• Left and right, balanced ¼-inch TRS and unbalanced RCA pass-through outputs for connecting satellite speakers
• Polarity invert switch
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)

Powerful and musical, the PreSonus® Eris Pro Sub 10 active, front-firing studio subwoofer is designed to deliver fast and accurate transient response, extending low frequencies down to 20 Hz, allowing you to hear the full-spectrum range of your mix. Driven by 170W (RMS) Class AB amplification, the Eris Pro Sub 10's 10-inch, glass-composite, low-frequency driver delivers tight, responsive sub-bass, thanks to its lightweight and rigid cone. This design provides lower distortion than other materials for sub-bass reproduction that's as coherent and clear as your full-range monitors.

• 10-inch, front-firing, glass-composite, low-frequency transducer
• Front-firing, bass-reflex acoustic port
• Continuously variable lowpass filter (50 Hz to 130 Hz) sets the upper frequency reproduced by the subwoofer
• Switchable highpass filter removes frequency content below 80 Hz from the full-range subwoofer outputs to the main monitors
• Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out
• Input gain control (-30 dB to +6 dB, continuously variable), polarity invert switch, and ground-lift switch
• 170 watt (RMS), Class AB amplification for up to 113 dB SPL, with a frequency response of 20 to 200 Hz
• Left and right, balanced XLR and ¼-inch TRS and unbalanced RCA main inputs
• Left and right balanced XLR and ¼-inch TRS outputs and XLR subwoofer output for connecting a second Eris® Pro Sub 10

Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7's cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don't. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can't always do.

A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you're ready to start producing right out of the box!

• Professional condenser microphone at an unbeatable price
• Great choice for recording vocals, guitar, podcasts, and more
• Exceptional clarity throughout its frequency-response range, with a warm top end
• Cardioid polar pattern
• Side address
• Hard stand mount, 10' XLR cable, and carry case included
• 1-inch (25 mm) back electret condenser capsule
• Rugged construction

PreSonus® was a pioneer in high-channel-count audio interfaces and has spent the last 20 years creating the best audio interfaces for recording large sessions. Building on this legacy, the Studio 1824c provides amazing sound-quality with eight of PreSonus' lauded XMAX analog mic preamps onboard and pristine 24-bit 192 kHz conversion. Add two low-noise instrument preamps, balanced line-level inputs, and an ADAT input to add 8 more channels whenever you need them, and you have an audio interface ready to record just about any session.

When you have the right tools, any job is easier and faster to finish. High-quality converters and PreSonus' professional-grade XMAX mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound, so you'll hear every breath, transient, and detail in your recordings. Professional input and output metering let you keep an eye on your levels. A flexible DSP mixer lets you create four discrete near-zero-latency monitor mixes. Front-panel Mute, Mono, and level controls let you work with your main mix.

Whether you're upgrading your studio or building a new space for your band to record, the Studio 1824c has you covered with superior mic preamps, expandable inputs, and powerful, easy-to-use onboard monitor mixing to give you the world-class results you want.

• Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
• 2 mic/instrument/line inputs with XMAX Class A mic preamps
• 6 mic/line inputs with XMAX Class A mic preamps
• 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
• 2 balanced ¼-inch TRS main outputs and 8 balanced ¼-inch TRS line outputs for monitor mixing, all DC coupled for sending control voltages
• 2 stereo headphone outputs with individual level controls
• Stereo S/PDIF digital I/O and MIDI In/Out
• 18x8 onboard DSP monitor mixer
• Front-panel level controls plus Mono and Mute buttons for the main outputs
• True +48V phantom power for condenser microphones (global)
• 10 ladder-style 8-LED level meters (8 input, 2 main output)
• 24-bit resolution, 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
• Includes Studio One Artist®, Studio Magic Software Suite, and Ableton® Live Lite

With a barely measurable round-trip latency of less than 1 ms, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interface on the planet." The Quantum 2626 uses the Thunderbolt 3 bus and PreSonus®' proprietary driver to achieve the lowest round-trip latency of any audio interface (as low as <1 ms). Now you can record and monitor with up to 24-bit, 192 kHz fidelity through your favorite plug-ins, without leaving the DAW.

The Quantum 2626 provides up to 26 audio inputs and 26 outputs, with 8 of PreSonus' lauded XMAX Class A analog microphone preamps. High-quality converters on every analog input and output provide 115 dB of dynamic range, with superior low-jitter clocking, to capture complex musical harmonics smoothly and naturally with no audible distortion. The result is the superb audio quality sought by working professionals. You also get MIDI I/O and BNC word clock I/O that ensures tight sync with other digital audio devices. The interface is well protected by a 1U rack-mountable, rugged, all-metal chassis with metal knobs.

With the included PreSonus Studio One™ Artist DAW and Studio Magic Software Suite, the Quantum 2626 is a complete recording solution. The interface also is compatible with virtually any recording software for macOS or Windows. Free PreSonus UC Surface control software provides access to full metering and an integrated real-time analyzer (RTA).

• 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
• 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
• Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
• 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
• 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• MIDI I/O and BNC word clock I/O with low-jitter clocking
• PreSonus® Studio One™ Artist and Studio Magic Software Suite included
• 1U rack-mountable, with all-metal chassis and metal knobs

18-Input, 16-Channel Series III Stage Box And Rack Mixer.

The StudioLive® 16R digital mixer is four audio tools in a single rackspace. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 36-channel (18x18) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.

• Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
• 18 input-channel digital rack mixer with 16 digitally controlled XMAX mic/line inputs, 2 FLEX FX returns, 10 mix buses, 6 FlexMixes (Aux, Subgroup, Matrix), 2 dedicated FLEX FX buses, Stereo Main bus
• 130 simultaneous processors: HPF, Gate/Expander, Compressor with Fat Channel plug-in models, 4-band/6-band parametric EQ with Fat Channel plug-in models, Limiter
• 31-band graphic EQ
• 4 FLEX FX slots featuring legendary classic reverb emulations and delays
• State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
• 6 DCAs to control groups of channels
• 36-channel (18x18) recording over USB
• Onboard stereo SD recorder with true Virtual Soundcheck mode
• AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
• Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
• Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
• Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
• Put your musicians' monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
• Capture® 3.0 multitrack software included
• Advanced Studio One® integration (Studio One Artist Included)
• Ableton® Live Lite included

With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, livestreams, and music productions. Featuring a pristine analog front end with four high-gain XMAX mic preamps and an 8x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR8c's hybrid design makes it simple to mix and record. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level input sources and consumer devices, Bluetooth® connectivity, a stereo SD recorder, and high-impedance instruments inputs, and you have a broadcasting and recording powerhouse that fulfills the needs of modern musicians and content creators.

• 8x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface; record every channel plus the main mix
• 2x2 SD recorder (record main mix); supports SD and SDHC formats up to 32 GB
• 8-channel analog mixer with:
  • 4 balanced microphone inputs with XMAX mic preamps, 2 instrument/line inputs, and 2 pairs of stereo balanced line inputs
  • Stereo Super Channel (Ch. 7/8) with Bluetooth®0 wireless, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
  • Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
• Complete recording solution: Includes Capture™ live-recording software and Studio One® Artist DAW for Mac® and Windows