Tuotteet

The D15M model continues the Martin tradition with solid mahogany construction and a rich satin finish. Satisfy your desire with an affordable solid wood guitar that is visually distinctive and innovative. Read more

Yamaha's standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. Can be confidently recommended to all beginner guitarists. 

• Traditional Western Body
• Solid Spruce Top
• Nato/Okume Back & Sides
• Newly Developed Scalloped Bracing
• Traditional looks and outstanding quality

Read more

The new Yamaha FG800 acoustic guitar is a step up from the FG700S, with scalloped braces for increased projection and low-end. It's a great first upgrade acoustic guitar with deluxe features and most importantly - Yamaha craftsmanship. This FG800 acoustic guitar is not really a beginner's guitar. It is for the guitarist who has been playing awhile and wants to move up from a beginning instrument. Read more

The new Yamaha FG800 acoustic guitar is a step up from the FG700S, with scalloped braces for increased projection and low-end. It's a great first upgrade acoustic guitar with deluxe features and most importantly - Yamaha craftsmanship. This FG800 acoustic guitar is not really a beginner's guitar. It is for the guitarist who has been playing awhile and wants to move up from a beginning instrument. Read more

Electro Acoustic Guitar, Black finish, System 64 1-way A.R.T. pickup system, contact pickup, thin-line body, Solid spruce top, Nato back&sides Read more

414ce Ovangkol, Sitka Spruce Top, Grand Auditorium, 6-String, Cutaway, The acoustic/electric Grand Auditorium 414ce responds well to an array of playing styles thanks to Taylor’s proprietary body shape and the expansive tonal palette of ovangkol and spruce. Expect a blend of power and tonal definition, especially in the midrange, so whether you like to strum, flatpick or play fingerstyle, the 414ce makes a great playing partner. Contemporary aesthetic strokes include white binding, Italian acrylic dot fretboard inlays, a three-ring rosette, and a full-gloss body. The guitar comes equipped with Taylor’s Expression System® 2 acoustic electronics along with a Venetian cutaway, and ships in a Taylor deluxe hardshell case.

Read more

510e Mahogany, Lutz Spruce Top, Dreadnought, 6-String, Taylor’s 500 Series Dreadnoughts boast several uniquely compelling design features, including a slightly shorter 24-7/8-inch scale length and a V-carve neck with a slotted headstock. The result is an inviting handfeel with less string tension — making string bends fun — and matches up well with chord strummers and vocals. The dynamic response of the Lutz spruce top works especially well with the dry, woody sound of mahogany, producing a balanced voice with crisp highs and soft lows. With Taylor’s Performance bracing optimized for the Dreadnought shape and the model’s other features, the 510e makes a musically versatile instrument that blends well with other instruments, either unplugged or amplified with Taylor’s Expression System 2 electronics.

Read more

522e Mahogany, Mahogany Top, Grand Concert, 6-String, The small-body Grand Concert 522e, featuring Taylor Expression System® 2 acoustic electronics, yields a smooth, balanced, easygoing character that will work well for blues, country and ragtime picking, with the added playing comfort of a short-scale (24-7/8-inch) neck. Distinctive appointments include a black pickguard, grained ivoroid binding and rosette, and a grained ivoroid Century fretboard inlay.

Read more

K24ce Koa, Koa Top, Grand Auditorium, 6-String, Cutaway, Hawaiian koa’s captivating beauty is matched by a tone that blossoms over time, especially in the midrange. Its voice is bright and focused, with warm overtones that slowly emerge, adding sweetness and depth. Premium all-wood appointments, led by the Island Vine fretboard inlay, celebrate the wood’s natural appeal.

Read more

Her name might not suggest it, but the Corona II is actually quite the all-rounder. She’s the instrument of choice for artists ranging from Norteño and Tex-Mex artists like Flaco Jiménez, to punk rocker Matt Hensley of Flogging Molly. She can even be heard on Bob Dylan’s 2009 single “Beyond Here Lies Nothing,” creating an unusual yet exciting combination of blues rock and the Norteño accordion sound. The Corona II is the perfect accordion for both stage and studio productions, with the typical HOHNER sound, offering advanced and professional musicians everything they could ask for. Read more