Kitarat
INV00406
INV01999
These Jazz Bass pickups capture the tone, feel and articulation of a great ’62 Jazz Bass. We harnessed the warmth, subtle aggressive attack, mid-range growl, and the J-tone that sits just right and voiced it to go lower than before. Read moreINV02010
David Gilmour needed a pumped-up sound for his famous Black Strat, so Seymour wound what became the Custom Staggered medium-output Stratocaster pickup. It has been, and continues to be, an honor to work with such a legend. The Custom Staggered is a special overwound single-coil that strikes a great balance between increased output and classic Stratocaster tonal character. It will deliver bigger, fatter chords, and will cut through the mix more clearly than a traditional Strat pickup, all the while maintaining the magic and mojo that make a Strat sound like a Strat. Single notes are bold and loud, and solos truly sing. Use in the bridge position with a pair of Vintage Staggered Strat pickups in the neck and middle for the Gilmour-approved setup. Use a Custom Staggered RWRP in the middle for noiseless setup in positions 2 and 4. Read moreINV02011
Tame the twang and give your Tele increased midrange cut and punch with the Hot for Tele pickups. If you were to begin with a vintage tele neck pickup, wind it hotter, mellow the highs and enhance the midrange response, the result would be the Hot Tele Rhythm. The treble response is still articulate, but it is smoothed out by the more aggressive low end. Great for full sounding chords and sweet solo work. Read moreINV02443
INV03850
The BIGMINI is a compact chromatic tuner pedal that features two different modes: needle and strobe. The tuning range is from A0 (27.5 Hz) to C8 (4186 Hz), which allows for accurate detection of the low B on a 5 string bass. The pedal has adjustable calibration from 435Hz to 445Hz and features a flat mode for additional tuning flexibility. A true bypass switch provides the shortest, most direct signal path for the cleanest possible sound, while the bright LED display is clear and easy-to-read on even the darkest stages.
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•Tuning Range: A0(27.50Hz) - C8(4186Hz)
•Calibration: A4 = 435 - 445 Hz
•Drop tune: Flat 4 semitones
•Required Current: 14mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)INV04662
20901
The original boutique vintage humbucker pickups to make your Les Paul look vintage and sound priceless. The Antiquity neck humbucker delivers an articulate, yet mellow tone that results from a perfectly balanced frequency response that combines a soft, sweet treble attack with a warm, full sounding low-end. The custom aged alnico 2 bar magnet creates an airy openness to the top-end that gives chords clarity and articulation, while the vintage output coils really bring out the rich harmonic content. Single notes have a beautiful singing quality with just the right amount of treble emphasis.
The Antiquity bridge humbucker delivers that open, airy tone of the great “P.A.F.” humbuckers that Seth Lover designed in 1955. High notes cut through without being overly bright, and low notes growl with spongy vintage warmth. We wind the bridge model a little hotter for better balance and added warmth, and, as with the neck model, we use the same custom hand-aging process to create an authentic vintage look and sound.
Each Antiquity humbucker is built in our Custom Shop and aged both cosmetically and magnetically to simulate the wear and tear that a pickup goes through after decades of playing. The mold we use for our butyrate bobbins was created by the same factory that built the original P.A.F. mold for Gibson. Other key features include our specially manufactured 42AWG plain enamel mag-wire, nickel silver cover, 2.5-inch alnico 2 bar magnet, custom machined metal spacer & maple spacer, single conductor push-back braided lead wire, and nickel silver bottom plate with long mounting legs. Staying true to the original Gibson P.A.F., these humbuckers are not wax potted, which takes you right to the edge of harmonic breakup. For that unmistakable vintage mojo, we wind every Antiquity humbucker on Seymour’s original Leesona winding machine from the early Gibson factory in Kalamazoo, MI.
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