Picks
INV08727
This pick gives Fat Mike the flexibility and warmth he needs to nail his fat, technical grooves. Read moreINV08729
Joe Bonamassa uses Jazz III Picks to blend traditional blues with modern technique for an emotionally resonant range of expression, from voice-like melodies to shredding runs that fold seamlessly into his compositions. Read moreINV08731
This makes every note sound rich and powerful-perfect for Andy James' complex compositions. Read moreINV08733
Flow Picks add thickness and volume to each note you play while allowing every pick-stroke to fall smoothly and effortlessly from your strings thanks to bright, durable Ultex® material, a wide angle and sharp tip to focus your attack, a uniform bevel that reduces string drag, and a low-profile grip just the right amount of control. Read moreINV08735
This pick is designed to complement John Petrucci's huge sound and majestically intricate passages. Read moreINV08738
Speed and precision. Highly polished, tapered edges for fast, articulate licks. Contoured finger indentations for maximum control. Ultex® material for ultimate performance. Read moreINV09375
To create the Eric Johnson Jazz III Pick, we laser-scanned a vintage Jazz III from Eric's collection and recreated it with the most advanced molding techniques available. The result is a Jazz III with a more refined and smooth tip, more flexibility, and a matte finish with raised logos for an incredible gripping surface. Read moreINV09376
Jim Root's new pick is made of flexible, warm-sounding nylon and combines the size and shoulder profile of the standard pick shape with the Jazz III-inspired tip for superior speed and precision. Read moreINV09377
This pick combines the speed, precision, and superior handling of the Max-Grip Jazz III Pick with a custom nylon formula that carefully balances stiffness and flexibility. Read more
