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510e Mahogany, Lutz Spruce Top, Dreadnought, 6-String, Taylor’s 500 Series Dreadnoughts boast several uniquely compelling design features, including a slightly shorter 24-7/8-inch scale length and a V-carve neck with a slotted headstock. The result is an inviting handfeel with less string tension — making string bends fun — and matches up well with chord strummers and vocals. The dynamic response of the Lutz spruce top works especially well with the dry, woody sound of mahogany, producing a balanced voice with crisp highs and soft lows. With Taylor’s Performance bracing optimized for the Dreadnought shape and the model’s other features, the 510e makes a musically versatile instrument that blends well with other instruments, either unplugged or amplified with Taylor’s Expression System 2 electronics.

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522e Mahogany, Mahogany Top, Grand Concert, 6-String, The small-body Grand Concert 522e, featuring Taylor Expression System® 2 acoustic electronics, yields a smooth, balanced, easygoing character that will work well for blues, country and ragtime picking, with the added playing comfort of a short-scale (24-7/8-inch) neck. Distinctive appointments include a black pickguard, grained ivoroid binding and rosette, and a grained ivoroid Century fretboard inlay.

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K24ce Koa, Koa Top, Grand Auditorium, 6-String, Cutaway, Hawaiian koa’s captivating beauty is matched by a tone that blossoms over time, especially in the midrange. Its voice is bright and focused, with warm overtones that slowly emerge, adding sweetness and depth. Premium all-wood appointments, led by the Island Vine fretboard inlay, celebrate the wood’s natural appeal.

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Her name might not suggest it, but the Corona II is actually quite the all-rounder. She’s the instrument of choice for artists ranging from Norteño and Tex-Mex artists like Flaco Jiménez, to punk rocker Matt Hensley of Flogging Molly. She can even be heard on Bob Dylan’s 2009 single “Beyond Here Lies Nothing,” creating an unusual yet exciting combination of blues rock and the Norteño accordion sound. The Corona II is the perfect accordion for both stage and studio productions, with the typical HOHNER sound, offering advanced and professional musicians everything they could ask for. Подробнее

The Artwood series was designed to blend the best traditional elements with modern guitar construction. Technology moves forward at a frenetic pace, and the world of guitar building is no different. In producing the Artwood series, we've respected the rich tradition of the acoustic guitar, while adding modern interpretations in our continuing search for the ultimate in guitar tone. Подробнее

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Low-level stand with folding base, complete with long, 2-piece extendable boom arm. Подробнее

Inexpensive, handy table microphone stand for professional use. Sturdy plastic base with collapsible light-weight plastic legs and 3/8" thread. Подробнее

Body Size: Grand OM-14 Fret, Cutaway Construction: Dovetail Neck Joint Top: Solid European Alpine Spruce Back & Sides: Macassar Ebony Neck: Mahogany, Low Profile Nut & Saddle: Bone Fingerboard: Micarta Scale Length: 25.4” (645 mm) Neck width at nut: 1-3/4″ (44,5 mm) Tuning Machines: Nickel w/ Ebony buttons Electronics: Fishman Flex Plus Finish: Ultra-thin UV-finish Strings: D´Addario EXP16 Подробнее

The A3M ARE, traditional western body cutaway guitar, features all-solid mahogany back and sides with sitka spruce top with Yamaha's original A.R.E. wood-torrefaction technology. Natural, dynamic plugged-in tone from the SRT2 pickup system perfectly suit your performance on the stage.

• Traditional Western Body Cutaway
• Solid Sitka Spruce Top with A.R.E.
• Solid Mahogany Back & Sides
• New Scalloped Bracing for Louder, Richer Acoustic Sound
• Natural, Dynamic Plugged-in Sound by SRT2 System
• High Comfort Neck Profile
• Simple and Distinctive Looks
• Elixir Strings
• Hard Bag Included

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