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Designed for snare drums, the Blaster Series snare wires feature strands of medium-gauge wire, allowing for an increased snare presence.

SUITABLE FOR: ROCK, METAL

The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.

• Fender®-Designed Fuzz Circuit
• Optional Octave-Fuzz Switch
• Top Mount Input/Output Jacks
• True-Bypass Switching
• Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included

Knob for electric guitar.

• All synthetic knobs for toothed shafts with diameter 6 mm
• Single, price per piece
• Cylinder shape Speed-knob

The CD-60S LH is one of our most popular models and is ideal for players looking for a high-quality affordable dreadnought with great tone and excellent playability. With its quality solid spruce top, easy-to-play neck with rolled fingerboard and mahogany back and sides, the CD60-S LH is perfect for the couch, the campfire or the coffeehouse—anywhere you want classic Fender playability and sound.

• Left-handed dreadnought body
• Solid spruce top with scalloped "X"-bracing
• Mahogany back and sides
• Easy-to-play neck with rolled fingerboard edges

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.