Delay

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The mini-pedal market has been booming the past few several years, so we felt the time was right to issue some of our most legendary pedals in new mini housings! Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog circuitry produces the warm tone that players look for in analog delays. With the ADMINI, you'll enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard.

•Repeat, Delay time and Blend controls
•True Bypass
•Delay Time: 20ms - 600ms
•Required Current: 23mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)

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A natural sounding digital/analog delay, with the analog direct signal path. Read more

The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape modes—each with two voicing variations—make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound.

• Digital, Analog and Tape delay types
• Option to add dotted-eighth note
• LED backlit knobs
• Fender Amp Jewel LED
• Magnetically latched hinged 9V battery door
• Lightweight durable anodized aluminum construction

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The relationship between time-based effects, like delay and reverb, is critical to operating them correctly. The Reflecting Pool® Delay/Reverb pedal combines these two classic effects into one comprehensive chassis, making it easy to integrate into any pedalboard. Utilizing cutting-edge DSP for rich and complex algorithms, Reflecting Pool® faithfully recreates classic sounds, while also conjuring otherworldly new ones. Type, Variation and Quality controls make it easy to precisely shape your sound, the Time toggle adds rhythmic subdivisions, and the Tap Tempo footswitch makes sure everything stays in time. Read more

The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.

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Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

• Fender®-designed Tape Delay Effect
• Pattern & Mod Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching, Analog Dry-Through
• Powered by 9-Volt Center Negative AC Adaptor, Not Included

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The Align Delay brings a classic effect to acoustic musicians by optimizing the signal for high-fidelity instruments. By expanding the range of your sonic profile while underlining your primary acoustic sound, the Delay augments both rhythm and melody for a larger dimensional sound and feel. We’ve combined the most desirable qualities of both analog and digital circuitry to create the best possible sound with the convenient features of a modern platform. The Tap button sets your desired tempo or the Tap Tempo input can be used with an external time control device. The Tone control only affects the repeats, ranging from warm and analog-like to clear, digital-like echo—for a versatile effect that can be tailored to fit any musical context.

• Delay Control blends delayed signal with unaffected signal
• Repeats controls the total number of repeats
• Time sets the time between the original and repeated signal
• Division sets delay to dotted eighth note of current tempo
• Tap manually sets the delay tempo
• Tap Tempo Input allows for the connection of an external tap tempo footswitch
• Tone sweeps a wide range of warmth, clarity, and everywhere in between
• 9V battery, or 9V DC powering options
• Engage footswitch for affected signal or true bypass
• ¼" output

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The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

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The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time
• Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
• I/O's: Input, Output Input is on the right side. Output is on the left side.
• Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
• Size: 116(W) x 153(D) x 57(H) (mm)
• Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
• Required Current: 200mA@9V
• Power Supply: External DC 9 volt AC adapter

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