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Part of the made in Japan MINI pedal series, The FZMINI's circuit is based on our legendary OD850 fuzz pedal. The mini version features two smaller knobs for Tone and Level, as well as a significantly larger Sustain knob in the middle. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone, while 100% analog circuitry helps add a natural, organic character to the sound. The FZMINI offers a warm, vintage fuzz tone, all while saving significant space on your pedalboard.
•Tone, Sustain and Level controls
•Required Current: 16mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)
The Trapper® combines two discrete fuzz voices into one chassis with global Tone and Contour controls to shape your sound to taste. The softer-sounding first voice includes a switchable high octave—perfect for generating synth-like tones—while the grittier second voice includes a highly interactive noise gate.
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.
The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.Read more