Studio Microphones

The Samson C02 Pencil Condenser Microphones are small-diaphragm mics designed to capture every nuance and characteristic of your productions. Excelling in both live and recording applications, their low mass diaphragms employ a linear frequency response with optimal transient pickup that make the C02s perfect for miking acoustic instruments. With the ability to handle sound pressure levels of up to 134dB SPL, the C02s are just as ideal for use as drum overheads or cymbal mics.

• Small-diaphragm pencil condenser microphones
• Packaged as a stereo pair (matched within ±0.5dB sensitivity of each other)
• Cardioid pickup pattern
• Up to 134dB SPL
• Gold-plated XLR connectors
• Protective carry case, shock-mounted mic clips and windscreens included

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Behringer B5 - true condenser microphone with exchangeable capsules (1x cardioid & 1x omni), gold plated balanced XLR connector. Accessories: Clamp, windshield, transport case, requires phantom power Read more

Neumann TLM102 (nickel) Large Diaphragm Condenser Microphone - acoustical operating principle pressure gradient transducer, cardioid pattern, 20Hz-20kHz, 11 mV/Pa sensitivity (1kHz into 1k Ohms, 50 Ohms rated impedance, 1k Ohms rated load impedance, CCIR 21dB, equivalent noise level (CCIR): 21dB, equivalent noise level (A-weighted): 12dB-A, signal-to-noise ratio (CCIR): 73dB (rel. 94dB SPL), signal-to-noise ratio (A-weighted: 82dB (rel. 94dB SPL). Maximum SPL for THD 0.5%2): 144 dB. Maximum output voltage: 13dBu. Supply voltage (P48, IEC 61938): 48 V ± 4V. Current consumption (P48, IEC 61938): 3.5mA. Matching connector: XLR3F. Includes SG2 stand mount swivel. Weight: approx 260g. Diameter: 52mm. Length: 116mm Read more

Audix TM-1 Plus - test and measurement microphone for RTA and room analysis software systems, frequency response: 20Hz-25kHz (+/-2dB), 200ohm impedance, 140dB maximum SPL, nickel housing, requires 18-52V phantom power. incl. windscreen (WS-TM1), elastic holder (SMT-19), 1"2-adapter for calibration (TM1-CA) and individual sensitivity /calibration-data-File on CD Read more

The MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic.

• Rugged professional microphone
• Five position bass roll-off switch
• Effective feedback rejection
• Clear sound reproduction
• Easy handling due to pronounced directivity

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Due to its enormous dynamic range of 132 dB and a remarkably uniform cardioid pickup pattern, the TLM 102 is a very easy to use microphone for home and project studios, and also for demanding live applications. Its uncolored sound and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. The TLM 102 is a true workhorse for any small studio!

• Compact microphone with genuine Neumann large diaphragm capsule 
• Uniform cardioid pattern
• Transformerless circuitry for high SPLs without distortion
• Very low self-noise 
• Gentle treble lift for silky highs
• Integrated pop screen

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Professional quality dual-diaphragm condenser microphone with five independant polar patterns for advanced home and studio recording. Two 1 inch diaphragms deliver warm and precise sound.

• Dual-diaphragm true condenser microphone
• Five switchable polar patterns
• 3-position switchable low cut/roll-off filter
• 3-position pad switch
• Two 24-carat gold plated 1 inch diaphragms
• Shock-mounted capsule
• Rugged metal housing
• Safely sheltered electronics
• Designed and made in Germany

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The KMS 104 plus is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. The KMS 104 plus is also a superb microphone for home recording and broadcast applications. As the KMS 104 plus is optimized for close mic placement, it will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.

• Balanced sound with extended bass for extra “warmth”
• Popular with female singers
• Tight cardioid pattern without off-axis coloration
• Unaffected by extreme sound pressure levels
• Feedback resistant
• Built-in pop screen

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Pure Single-pattern large-diaphragm condenser microphone with top-of-the line tecnology Read more