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Audio Interfaces

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  1. INV04393

    • 12 Input and 12 Output channels • 4 x Analog Inputs (Mic, Line, Instrument) • 4 x Analog Outputs (2 x XLR, 2 x Phones) • 1 x ADAT I/O or 1 x SPDIF I/O optical • 1 x MIDI I/O • 1 x USB 2.0 (USB 3 compatible) • Digital Gain control on all inputs • Separate outputs for high and low impedance headphones • TotalMix FX (with EQ, Reverb, Echo) Read more
  2. INV04427

    The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. Read more
  3. INV04400

    MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality. Read more
  4. INV04428


    36-Channel, 192 kHz, USB Audio Interface, 9.5", 1 HU

    The compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.


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  5. INV04403

    32-Channel, 192 kHz, AES/EBU PCI Express Card The HDSPe AES is a short-length PCI Express card with AES/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I/O ports, word clock I/O, and can be used with the optional TCO module for synchronization to LTC and video. Read more
  6. INV04402

    Taking 8 Channels to 64 Channels In 2015 the RME Babyface Pro was launched to much industry acclaim. Now regarded as the new standard in high-end desktop recording, it’s superior sound, build quality and professional connectivity has made it the first choice for producers, engineers and artists everywhere. Read more
  7. INV04419

    The ADI-192 DD is the successor to the highly successful ADI-8 DD. The completely re-engineered device was designed to be the most powerful format and sample rate converter ever. Hence the ADI-192 DD not only features considerable improvements compared to the ADI-8 DD, but also adds a number of new and unique features: Supports 192 kHz with ADAT, TDIF und AES 8-Channel sample rate conversion up to 192 kHz Sample Rate Conversion can be selected for AES, TDIF or ADAT 8-Channel Sample Rate Conversion without phase errors (sub-sample synchronous) SteadyClock for maximum jitter suppression and clock regeneration Complete triple format converter AES/TDIF/ADAT with added SPDIF TOSLINK I/O Direct support for Double and Quad Wire, S/MUX and S/MUX4 Also when using SRC Special TDIF word clock output Simplified and easy-to-use user interface Read more
  8. INV04397

    128-Channel, 192 kHz, MADI PCI Express Card The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line. The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved. Read more
  9. INV04420

    The ADI-8 DS Mk III is an 8-channel hi-end AD and DA converter in reference quality. In a standard 19" box with 1 unit height the device offers numerous extraordinary features like Intelligent Clock Control (ICC), SyncCheck ™, SteadyClock, four hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O, 192 kHz sample rate, and a digital patch mode. 8-channel AD converter, full symmetrical design, 119 dBA 8-channel DA converter, double balanced output, 120 dBA Low latency conversion: less than 12 samples delay 4 x AES/EBU I/O per D-sub, 8 channels @ 192 kHz 2 x ADAT I/O, 8 channels @ 96 kHz, 4 channels at 192 kHz Word clock input and output 2 x 8-channel level metering Comprehensive digital patch mode for full interconnectivity Read more
  10. INV04398

    The HDSPe MADI FX marks a new milestone both in the history of audio interface cards in the past two decades and within the long series of outstanding RME devices. Never before has such a high-performance multi-channel audio system existed. The HDSPe MADI FX features 390 audio channels! Three MADI I/Os - two optical and one coaxial –are accompanied by one AES/EBU I/O and one analog monitoring output. To complete the feature set, a Word Clock connection and four MIDI I/Os were added. The complete technology and connectivity are highly integrated into the smallest possible amount of space - typical for RME. Only one PCIe slot is required on the motherboard, plus one free slot opening on the case. Read more
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