Audio Interfaces

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amPlug I/O is an easy-to-use USB audio interface that plugs directly into your guitar. Simply connect amPlug I/O to your computer via USB and you can easily start playing and recording with the included JamVOX III software. amPlug I/O is also compatible with your favorite DAW or guitar amp simulator thanks to its ASIO driver support! You can even connect amPlug I/O directly to your iOS device (iPad or iPhone) by using the optional Apple USB Camera Adapter kit! Additionally, the amPlug I/O features a built-in tuner with a highly visible LED display and it can be used as a stand-alone tuner when not being used as an interface. With its unprecedentedly compact size and wide range of applications, amPlug I/O is a must-have for any modern guitarist! Read more

With blazing-fast Thunderbolt connectivity and stellar 24-bit/192kHz audio quality, the Zoom TAC-2R Thunderbolt audio interface brings you amazing functionality for a compact, portable interface. Connections for mics, instruments, line level signals and MIDI give you the versatility you need to tackle a wide variety of recording and streaming applications. You´ve got independent controls for input levels, your main monitoring level, and the headphone level. Factor in the easy-to-use control software and sweet-sounding reverb and delay effects, and you´ve got a lot of production potential with the Zoom TAC-2R. Read more

15-pin D-sub to 4 x XLR Analog, 2 x MIDI, 1 x Phones, for HDSP 9632 and HDSPe AIO. Read more

In today's world, speed is everything. The blazingly fast Zoom TAC-2 interface uses the latest Thunderbolt™ technology for ultra-low latency and the ultimate in high-quality audio, up to 24-bit/192 kHz. Lightweight and portable, yet rugged enough for the road, the TAC-2 is also easy to use, with a single large rotary knob controlling all parameters. Whether using it in your home studio or on the road, you can rely on your TAC-2 to deliver pristine audio.

• 2-in/2-out high speed Thunderbolt™ audio interface 
• Support for recording and playback up to 24-bit/192 kHz 
• Ultra-low latency audio streaming
• Two combo balanced XLR/TRS input connectors
• +48V phantom power for each input
• Hi-Z input jack allows direct connection of electric guitar or bass
• Two balanced TRS output jacks for connection to amplifiers or self-powered speakers
• Dedicated headphone jack with independent level control
• 7-position LED metering for input, output, and headphone volume
• High-performance Burr Brown mic preamps with up to +60 dB of amplification
• 4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity
• Asynchronous transfer system unaffected by computer jitter
• Simple user interface—all operations controlled by a single rotary knob
• Bus powered—no AC power required
• Rugged yet compact and lightweight
• Works with all Thunderbolt‐equipped Macintosh computers running macOS 10.14 ~ 12 (Intel Mac only)

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USB Advanced Remote Control for Fireface UFX+ and TotalMix FX This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations. The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! Read more

RME presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC/video). All this combines into a professional 'soundcard' that the world has not seen before. Read more

The Digiface Dante is a lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. Read more

Mini-DIN to 4 x MIDI (BOHDSP9652MIDI) For HDSP 9652, HDSPe RayDAT, HDSP AES-32, HDSPe AES, HDSP MADI, HDSPe MADI and Fireface 400/UC/UCX. Read more

Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

• +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
• Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
• 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
• Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
• 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).
• All the above improvements were achieved without raising the units power consumption.
• K-slot for theft protection.

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