Bass Effects

Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end. The SATURATION control offers a tremendous range of distortion while the CONTOUR control allows you to dial in a scooped or a more aggressive, boosted midrange sound. The PRESENCE knob adds 'attack' to your sound, ensuring that your bass remains defined even with the most saturated settings. The output LEVEL control guarantees that you'll be able to get the distortion you want at any volume level.

• Saturation' controls how distorted your tone is, with a range from subtle tube-like to aggressive
• 'Contour' controls your midrange, from scooped to bumped
• Pedal powered by universal 9-volt power supply only. Not included.

Providing the warm, rich tone that Aguilar gear is famous for, the Chorusaurus uses analog bucket-brigade technology for lush, organic chorusing. The Chorusaurus gives bassists unparalleled control of their tone with an intuitive, four-knob layout. RATIO controls the ratio of dry and wet signals. The SPEED, INTENSITY, and WIDTH controls provide maximum tonal sculpting. Now you can dial in subtle swirling textures, extreme chorusing or anything in between! The Chorusaurus' output can be used for mono or stereo output. For stereo operation to two amplifiers, use a 1/4" Y cable with one 1/4" TRS to two 1/4" TS jacks.

• Analog Bucket-Brigade technology
• Blend control allows you to dial in perfect amount of clean and chorus
• Output jack is mono or stereo (Y cable needed for stereo operation)
• Pedal powered by universal 9-volt power supply only. Not included.

The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can't get from other pedals. The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

• Two sweeping filters offer classic envelope filter sounds, as well as new and unique tones
• Blend control adjusts mix between the filters
• Separate velocity controls for the 'up' and 'down' filters
• Pedal powered by universal 9-volt power supply only. Not included.

Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor provides classic silicon transistor distortion. The Fuzzistor allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic structure of the Fuzz from booming to gnarly.

• Analog silicon transistor distortion circuit
• 'Blend' control allows you to get ideal mix of clean and fuzz tone
• Pedal powered by universal 9-volt power supply only. Not included.

The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. From flowing, liquid tones to fat, funky ones, this simple phaser has a wide range of usable sounds in it. Fantastic for all styles of playing, especially soloing, fretless, and slap. RATE controls the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!

• 'Rate' controls speed of modulation
• 'Color" feeds a portion of signal back through the phase circuit, creating new and unique tones
• Pedal powered by universal 9-volt power supply only. Not included.

Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

• Proprietary detector circuit for superior tracking
• Continuously variable multipole low-pass filter for Octave sound
• Dual filter architecture
• Full spectrum tilt EQ for clean sound
• Pedal powered by universal 9-volt power supply only. Not included.

The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables you to achieve unprecedented levels of performance, usually found only in expensive studio compressors. Using a wide range of attack times (10ms to 100ms), variable threshold (-30 to -10 dBu), and slope levels (2:1 to infinity), you'll be able to dial in just the right sound. The TLC has a Full Spectrum Tilt EQ for Clean sound and a low distortion at <.2%.

• Threshold control: variable from -30 to -10 dBu
• Slope control: variable from 2:1 to infinity
• Attack control: variable from 10ms to 100ms
• Level control for make-up gain
• Ultra low distortion: (<0.2%)
• Pedal powered by universal 9-volt power supply only. Not included.

Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing. Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end. With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go. This two-band bass and treble preamp has a maximum amount of boost at 18db, occurring at 40 Hz for the bass, and 4kHz for the treble.

• All FET design
• Two bands of boost
• Heavy Duty steel construction

The DB 599 bass compressor gives bassists the ability to control their dynamics in a simple and compact format. Tailored around the specific needs of bass players, the DB 599 utilizes musically appropriate compression ratios and attack / release parameters to make dialing in your compressed tone a breeze. Simply add in the desired amount of compression with the COMP knob, use the GAIN control to adjust your volume, and take your bass sound to the next level – that's it! Turning the COMP knob up will lower the threshold, and increase the compression ratio, resulting in a larger portion of the signal being more compressed.

• VCA Compressor
• Soft-knee threshold circuit
• Studio-quiet with no artifacts
• Heavy Duty steel construction