Microphones

The PreSonus® Studio Channel channel strip is a wonderful studio tool that's great for live performance, too. Featuring a tube preamp, VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. With XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any audio interface, amp or PA.

The Class A preamp starts with a high-output 12AX7 tube for lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz high-pass filter and polarity reverse let you tweak your signals.

Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients so you can record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers an Auto Attack/Release feature with preset attack and release curves. The backlit VU meter displays gain reduction or output gain.

The three-band EQ is a precision tool that can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amps deliver sweet-sounding gain and cut for smooth highs, clear midrange and deep, solid lows. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls, and can be shelving or peak bands.

• Class A 12AX7 vacuum-tube mic/instrument preamplifier with Tube Drive control
• Gain control with +10 dB to +54 dB gain range
• 48V phantom power switch, 80 Hz high-pass filter, -20 dB pad, and Polarity-reverse switch
• Fully Variable VCA compressor with Attack, Release, Ratio, Threshold, and (makeup) Gain; Auto Attack/Release switch; Soft/Hard Knee switch; and Bypass switch
• 3-band parametric equalizer with Gain, Frequency and Q controls (mid band); Gain and Frequency controls and Shelving/Peak switches (low and high bands); switchable pre-/post-compressor; Bypass switch
• Backlit VU meter with Gain Reduction to Meter switch (gain reduction or output gain)
• 1 unbalanced ¼-inch instrument input (front panel), 1 balanced ¼-inch line input, and 1 balanced XLR mic input
• 1 balanced ¼-inch and 1 balanced XLR line output
• 1U 19-inch rack-mountable, rugged steel chassis with sealed, detented rotary controls
• External 16 VAC power supply

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Excellent signal/noise ratio, lowest harmonic distortions and wide gain range make the QuadMic II a first choice for superior studio recordings. QuadMic II is battery powerable and thus excellent for remote applications. Each of the 4 channels features balanced microphone and line inputs with Neutrik XLR/TRS combo jacks, switchable 48V phantom power, phase reversal and a low cut filter. All channels are also equipped with LEDs for signal presence, clip state, and activated phantom power. The input amplification can be set from 6 to 60 dB. The balanced line level output signals are provided on the rear of the unit as four 6.3 mm (1/4") TRS jacks. Read more

The RME 12Mic is a twelve channel remote controllable microphone preamplifier with no-compromise A/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording. Read more

Tapered slip-in microphone clip diameter 28-34 mm, high quality elastic rubber. Read more

Tapered slip-in microphone clip diameter 22-28 mm, high quality elastic rubber. Read more

Tapered slip-in microphone clip diameter 34-40 mm, high quality elastic rubber. Read more

FLEXIBLE MINI-GOOSENECK WITH RIM MOUNTED DRUM CLAMP AND SHOCKMOUNT RING.

Spring-loaded DVICE rim mount clip designed specifically for the MicroD and the Micros (12mm body). The clip features a flexible gooseneck that will adjust for height and position and provide strain relief for the cable. The microphone is held in position by a rubber shock mount that is housed within an aluminum protective ring.

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Audix D-Clip, microphone clamp for Audix D Series, black, 3/8" thread Read more

The CabGrabber™ is a tension fit microphone holder that clamps on to most combo amps or cabinets between 20-35cm in depth (use CabGrabber XL for larger cabinets). Can be used with any microphone weighing up to 450 g.

• An innovative miking solution for guitar amps and cabinets
• Allows for precise positioning
• Simple, elegant, compact, and easy to use
• No tools required
• Adjustable, tension held
• Mic arm-hand tightens firmly into position
• Holds mics weighing up to 0.45 Kg
• Works on cabinets with a flat or recessed edge
• Clamps to side or top of the cabinet
• Durable steel construction

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The CabGrabber™ XL is a tension fit microphone holder that clamps on to most combo amps or cabinets between 35-50cm in depth (for smaller amps and cabinets, use the standard CabGrabber).. Can be used with any microphone weighing up to 450 g.

• An innovative miking solution for guitar amps and cabinets
• Allows for precise positioning
• Simple, elegant, compact, and easy to use
• No tools required
• Adjustable, tension held
• Mic arm-hand tightens firmly into position
• Holds mics weighing up to 0.45 Kg
• Works on cabinets with a flat or recessed edge
• Clamps to side or top of the cabinet
• Durable steel construction

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