The Samson C02 Pencil Condenser Microphones are small-diaphragm mics designed to capture every nuance and characteristic of your productions. Excelling in both live and recording applications, their low mass diaphragms employ a linear frequency response with optimal transient pickup that make the C02s perfect for miking acoustic instruments. With the ability to handle sound pressure levels of up to 134dB SPL, the C02s are just as ideal for use as drum overheads or cymbal mics.
Small-diaphragm pencil condenser microphones
Packaged as a stereo pair (matched within ±0.5dB sensitivity of each other)
Cardioid pickup pattern
Up to 134dB SPL
Gold-plated XLR connectors
Protective carry case, shock-mounted mic clips and windscreens included
Shure Beta 52A, dynamic microphone, Supercardioid, Frequency Response 20 - 10,000 Hz, Max SPL 174 dB Sensitivity -64 dBV / Pa * (0.6 mV), for example, for bass drum, bass guitar, weight 605 g, included microphone bag, 3/8 "Thread Adapter Read more
The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano, half-cardioid condenser boundary microphone with an integrated XLR preamplifier.
Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments, Two-position contour switch to maximize attack and clarity depending on
Requires no external mounting Read more
Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent output with unmatched sound in high SPL situations. The Q3 can be rotated up to 90 degrees for easy positioning. This microphone brings great sound without feedback to any stage or studio.
Neodymium element delivers maximum output
Hypercardioid pattern reduces feedback
Mic rotates 90 degrees for easy positioning
Transformerless design reproduces extended low end frequencies with minimal distortion
Aluminum humbucking voice coil
Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums
Switchable 12 dB per octave high pass filter helps eliminate stage rumble
Triple-plated multi-stage windscreen allows close proximity use with minimal noise
Multi-axis shock-mount mic element enables quiet performance
Sturdy Zinc casing and "anti dent" ring
Foam-lined carry case, mic clip and "Euro-metric" mic stand adapter included
Gold-plated balanced XLR connector for maximum conductivity