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Instrument Microphones

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  1. Overhead electret microphone
    • For sound pickup of hi-hats/cymbals as well as various percussion instruments and acoustic instruments, e.g. guitars/violins, flutes or choir voices
    • Excellent sound characteristics
    • Unobtrusive positioning due to small dimensions
    • Robust body with integrated phantom power supply adapter
    • Supplied with microphone holder
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  2. Audix Micro-D - condenser clip microphone with gooseneck for Drums and Brass with hypercardioid polar pattern.

    • 40 - 20.000 Hz
    • 250 Ohm
    • 140 dB SPL max.
    • Mini-XLR connector
    • incl. adapter APS910 to XLR Male
    • incl. Audix D-Vice clamp
    • optional holder for different acoustic instruments
    • 48 Volt phantompower necessary
    • weight 370 gramm
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  3. Electret instrument microphone for sound pickup of accordions, pianos or wind instruments
    • Well-balanced frequency response for a genuine and brilliant sound
    • Structure-borne noise isolated cartridge
    • Flexible gooseneck
    • Quick-acting holder of special design
    • 3.3 m cable with fitted 3-pole XLR phantom power supply adapter for connection to a corresponding microphone input
    • Supplied in a robust transport case with windshield
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  4. INV00129

    Sennheiser E845 - dynamic microphone with hypercardioid polar pattern, includes clamp and bag, suitable for vocals and brass. Read more
  5. INV00133

    Sennheiser E908 B Condenser Gooseneck Microphone - for brass, cardioid, 40Hz-20kHz, 100 Ohms. Includes special clip for brass, MZA900P phantom power adaptor and bag. Dimensions: 116 x 41mm. Weight: 210g. Note: microphone also suitable for EW wireless systems, Cable 2,2 m Read more
  6. INV06831

    The JTS CX-516 is a high-quality, miniature unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response and low noise characteristics have made it a standard for use with acoustic string instruments: violins, cellos, as well as woodwind instruments, accordion, and organ (Leslie) cabinets. The tailored sound characteristics, superb transient response allows detailed transparent reproduction of the sound source. The mini flexible gooseneck design provides quick pinpoint miking via the built in mounting clip.

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  7. INV07784

    RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a 'pencil mic'. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule.

    • Externally biased condenser
    • Cardioid or Omni polar pattern using included interchangable capsules
    • Gold sputtered 1/2” capsule
    • Three position PAD - 0dB, -10dB and -20dB
    • Three position High-Pass Filter - flat, 75Hz and 150Hz
    • Surface mount circuitry
    • Low noise
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  8. INV08273

    The e 614 is a super-cardioid condenser microphone, designed for demanding instrument recordings and performances that require extended frequency response, high SPL handling, fast transient response and compact size. While drumset overhead miking was the first design priority, the e614 also works exceptionally well on percussion setups as well, fitting comfortably into tight setups. The e 614 can handle high SPLs and features medium sensitivity, which ensures reduced bleed from other instruments on stage. Because of its excellent acoustic properties, this mic is also ideal for home recording.

    • 40-20,000 Hz
    • Designed for demanding applications where extended frequency range, high SPL handling, fast transient response and small size are required 
    • Captures the shimmer and the contact of sticks, mallets and hands
    • Nearly flat response from 40 Hz to 20 kHz and a supercardioid pattern
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  9. INV08282

    Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom. 

    Full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection (also available with a switch: e 845-S).

    • Dynamic super-cardioid microphone for speech and vocals
    • Extended high frequency range
    • Consistent sound quality (varying distances, moving off axis)
    • Handles high sound pressure levels
    • Optional silent on/off switch
    • Isolates handling noise, hum compensating coil
    • Excellent feedback rejection
    • Rugged metal housing
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  10. INV08857

    Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7's cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don't. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can't always do.

    A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you're ready to start producing right out of the box!

    • Professional condenser microphone at an unbeatable price
    • Great choice for recording vocals, guitar, podcasts, and more
    • Exceptional clarity throughout its frequency-response range, with a warm top end
    • Cardioid polar pattern
    • Side address
    • Hard stand mount, 10' XLR cable, and carry case included
    • 1-inch (25 mm) back electret condenser capsule
    • Rugged construction
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