Guitar Effects

The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!

The Micro Amp allows you to boost your signal with a preset amount of gain up to +26dB.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players—this pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.

This pedal is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ ECB003EU, or an MXR Brick Series power supply.

The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.

Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

• Fender®-designed Tape Delay Effect
• Pattern & Mod Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching, Analog Dry-Through
• Powered by 9-Volt Center Negative AC Adaptor, Not Included

Subtly sweetened leads, clucky country slap back, surfy swells, rhythmic dotted-eighths and huge ambient washes – it’s been a defining factor in just about every genre of guitar music. The Hammertone™ Delay provides up to 950ms of crisp and clean delay, lush modulation at the flick of a switch and three different delay types. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

• Fender®-designed Digital Delay Circuit
• Type & Mod Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching, Analog Dry-Through
• Powered by 9-Volt Center Negative AC Adaptor, Not Included

The Align Delay brings a classic effect to acoustic musicians by optimizing the signal for high-fidelity instruments. By expanding the range of your sonic profile while underlining your primary acoustic sound, the Delay augments both rhythm and melody for a larger dimensional sound and feel. We’ve combined the most desirable qualities of both analog and digital circuitry to create the best possible sound with the convenient features of a modern platform. The Tap button sets your desired tempo or the Tap Tempo input can be used with an external time control device. The Tone control only affects the repeats, ranging from warm and analog-like to clear, digital-like echo—for a versatile effect that can be tailored to fit any musical context.

• Delay Control blends delayed signal with unaffected signal
• Repeats controls the total number of repeats
• Time sets the time between the original and repeated signal
• Division sets delay to dotted eighth note of current tempo
• Tap manually sets the delay tempo
• Tap Tempo Input allows for the connection of an external tap tempo footswitch
• Tone sweeps a wide range of warmth, clarity, and everywhere in between
• 9V battery, or 9V DC powering options
• Engage footswitch for affected signal or true bypass
• ¼" output

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time
• Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
• I/O's: Input, Output Input is on the right side. Output is on the left side.
• Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
• Size: 116(W) x 153(D) x 57(H) (mm)
• Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
• Required Current: 200mA@9V
• Power Supply: External DC 9 volt AC adapter

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).