Effects

The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables you to achieve unprecedented levels of performance, usually found only in expensive studio compressors. Using a wide range of attack times (10ms to 100ms), variable threshold (-30 to -10 dBu), and slope levels (2:1 to infinity), you'll be able to dial in just the right sound. The TLC has a Full Spectrum Tilt EQ for Clean sound and a low distortion at <.2%.

• Threshold control: variable from -30 to -10 dBu
• Slope control: variable from 2:1 to infinity
• Attack control: variable from 10ms to 100ms
• Level control for make-up gain
• Ultra low distortion: (<0.2%)
• Pedal powered by universal 9-volt power supply only. Not included.

Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing. Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end. With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go. This two-band bass and treble preamp has a maximum amount of boost at 18db, occurring at 40 Hz for the bass, and 4kHz for the treble.

• All FET design
• Two bands of boost
• Heavy Duty steel construction

The DB 599 bass compressor gives bassists the ability to control their dynamics in a simple and compact format. Tailored around the specific needs of bass players, the DB 599 utilizes musically appropriate compression ratios and attack / release parameters to make dialing in your compressed tone a breeze. Simply add in the desired amount of compression with the COMP knob, use the GAIN control to adjust your volume, and take your bass sound to the next level – that's it! Turning the COMP knob up will lower the threshold, and increase the compression ratio, resulting in a larger portion of the signal being more compressed.

• VCA Compressor
• Soft-knee threshold circuit
• Studio-quiet with no artifacts
• Heavy Duty steel construction

Anagram rethinks the way you shape your tone. With ultra-low latency, extensive customization, and seamless integration into the Darkglass ecosystem, it supports both studio precision and stage performance. Built for ease of use, Anagram not only refines your tone but also unlocks new possibilities for your creativity.

• Powered by a state-of-the-art hexacore processor and 32-bit/48kHz audio processing
• Studio and stage-grade I/O connectivity
• USB Audio, MIDI and Bluetooth capabilities
• Ultra-low latency, pristine clarity, and studio-grade sound
• Comes loaded with a curated collection of distinct preamps, 50+ customizable effects, a looper, tune
• Neural Amp Modeler (NAM) integration provides access to 10,000+ of high-quality amps and effects
• Players can create signal chains in series (12 blocks) or parallel (24 blocks)
• Includes carry case

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time
• Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
• I/O's: Input, Output Input is on the right side. Output is on the left side.
• Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
• Size: 116(W) x 153(D) x 57(H) (mm)
• Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
• Required Current: 200mA@9V
• Power Supply: External DC 9 volt AC adapter

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

Enter the world of subsonic soundscapes with delay engineered for bass. The Bassman Delay brings delay to the low end wielding two professional DSP algorithms designed specifically to repeat bass signal. Select between smooth analog repeats or crisp digital delay tones with a flick of the type switch, while the time and feedback controls determine the delay time and number of repeats. Shape the low frequency presence in your delay repeats using the low switch, letting you decide if your delays fade out lightly on top of your signal, keeping the low end clear, or duplicate the full signal for beat-repeat like waves of bass. Delve into the depths of ambience and find exciting new percussive grooves with the Bassman Delay.

• Bass-tuned analog and digital delay DSP algorithms with analog dry-through
• Low switch sculpts the low frequency presence in the delay repeats
• Internal high cut and low cut controls fine tune the frequency content of delay repeats
• Soft-touch switchable true or buffered bypass with trails
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure

The Hammertone™ Reverb delivers three classic reverb effects – Hall, Room and Plate – in a compact stomp that will integrate seamlessly into your rig. Powerful damping control and tone switch offer supreme flexibility, while the Fender-designed on-board reverb tones are perfect for subtle to extreme ambience.

• Fender®-designed Reverb Effect
• Type & Tone Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching
• Powered by 9-Volt Center Negative AC Adaptor, Not Included