Effects

The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can't get from other pedals. The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

• Two sweeping filters offer classic envelope filter sounds, as well as new and unique tones
• Blend control adjusts mix between the filters
• Separate velocity controls for the 'up' and 'down' filters
• Pedal powered by universal 9-volt power supply only. Not included.

Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor provides classic silicon transistor distortion. The Fuzzistor allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic structure of the Fuzz from booming to gnarly.

• Analog silicon transistor distortion circuit
• 'Blend' control allows you to get ideal mix of clean and fuzz tone
• Pedal powered by universal 9-volt power supply only. Not included.

The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. From flowing, liquid tones to fat, funky ones, this simple phaser has a wide range of usable sounds in it. Fantastic for all styles of playing, especially soloing, fretless, and slap. RATE controls the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!

• 'Rate' controls speed of modulation
• 'Color" feeds a portion of signal back through the phase circuit, creating new and unique tones
• Pedal powered by universal 9-volt power supply only. Not included.

Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

• Proprietary detector circuit for superior tracking
• Continuously variable multipole low-pass filter for Octave sound
• Dual filter architecture
• Full spectrum tilt EQ for clean sound
• Pedal powered by universal 9-volt power supply only. Not included.

The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables you to achieve unprecedented levels of performance, usually found only in expensive studio compressors. Using a wide range of attack times (10ms to 100ms), variable threshold (-30 to -10 dBu), and slope levels (2:1 to infinity), you'll be able to dial in just the right sound. The TLC has a Full Spectrum Tilt EQ for Clean sound and a low distortion at <.2%.

• Threshold control: variable from -30 to -10 dBu
• Slope control: variable from 2:1 to infinity
• Attack control: variable from 10ms to 100ms
• Level control for make-up gain
• Ultra low distortion: (<0.2%)
• Pedal powered by universal 9-volt power supply only. Not included.

Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing. Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end. With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go. This two-band bass and treble preamp has a maximum amount of boost at 18db, occurring at 40 Hz for the bass, and 4kHz for the treble.

• All FET design
• Two bands of boost
• Heavy Duty steel construction

Subtly sweetened leads, clucky country slap back, surfy swells, rhythmic dotted-eighths and huge ambient washes – it’s been a defining factor in just about every genre of guitar music. The Hammertone™ Delay provides up to 950ms of crisp and clean delay, lush modulation at the flick of a switch and three different delay types. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

• Fender®-designed Digital Delay Circuit
• Type & Mod Switches
• Top Mount Input/Output Jacks
• True-Bypass Switching, Analog Dry-Through
• Powered by 9-Volt Center Negative AC Adaptor, Not Included

The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time
• Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
• I/O's: Input, Output Input is on the right side. Output is on the left side.
• Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
• Size: 116(W) x 153(D) x 57(H) (mm)
• Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
• Required Current: 200mA@9V
• Power Supply: External DC 9 volt AC adapter

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

Enter the world of subsonic soundscapes with delay engineered for bass. The Bassman Delay brings delay to the low end wielding two professional DSP algorithms designed specifically to repeat bass signal. Select between smooth analog repeats or crisp digital delay tones with a flick of the type switch, while the time and feedback controls determine the delay time and number of repeats. Shape the low frequency presence in your delay repeats using the low switch, letting you decide if your delays fade out lightly on top of your signal, keeping the low end clear, or duplicate the full signal for beat-repeat like waves of bass. Delve into the depths of ambience and find exciting new percussive grooves with the Bassman Delay.

• Bass-tuned analog and digital delay DSP algorithms with analog dry-through
• Low switch sculpts the low frequency presence in the delay repeats
• Internal high cut and low cut controls fine tune the frequency content of delay repeats
• Soft-touch switchable true or buffered bypass with trails
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure