Effects

The product of nearly 3 years of intensive research and collaboration with a team of PhDs, LR Baggs is thrilled to introduce Voiceprint DI, the next breakthrough chapter in acoustic amplification. Voiceprint DI measures the acoustic response of your guitar by leveraging the processing power of your iPhone® to accurately capture your guitar’s one-of-a-kind voice. A Voiceprint is created, transforming your pickup into the most authentic sound we have engineered in our 40+ years.

The Align Delay brings a classic effect to acoustic musicians by optimizing the signal for high-fidelity instruments. By expanding the range of your sonic profile while underlining your primary acoustic sound, the Delay augments both rhythm and melody for a larger dimensional sound and feel. We’ve combined the most desirable qualities of both analog and digital circuitry to create the best possible sound with the convenient features of a modern platform. The Tap button sets your desired tempo or the Tap Tempo input can be used with an external time control device. The Tone control only affects the repeats, ranging from warm and analog-like to clear, digital-like echo—for a versatile effect that can be tailored to fit any musical context.

• Delay Control blends delayed signal with unaffected signal
• Repeats controls the total number of repeats
• Time sets the time between the original and repeated signal
• Division sets delay to dotted eighth note of current tempo
• Tap manually sets the delay tempo
• Tap Tempo Input allows for the connection of an external tap tempo footswitch
• Tone sweeps a wide range of warmth, clarity, and everywhere in between
• 9V battery, or 9V DC powering options
• Engage footswitch for affected signal or true bypass
• ¼" output

In the same way a choir enhances the foundation of a melody, the Align Chorus complements your acoustic guitar rather than placing the effect in the limelight. With the purity of LR Baggs’ circuitry and the effect in side chain, the Chorus adds fullness behind your guitar without any signal degradation. We designed the pedal with simple and intuitive controls that help you dial in a pleasing effect quickly and easily. A unique Size control blends two chorus voicings that interact with one another as you turn the knob. It’s essentially like adding more instruments as you increase the size. Additionally, a Tone control shapes only the affected signal, enabling you to dial in the perfect balance for your instrument.

• Chorus control blends chorus signal with unaffected signal
• Size blends between two chorus voicings
• Tone sweeps a wide range of warmth, radiance, and everywhere in between
• 9V battery, or 9V DC powering options
• Engage footswitch for affected signal or true bypass
• Volume level control
• ¼" output

The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.

• Fender®-Designed Fuzz Circuit
• Optional Octave-Fuzz Switch
• Top Mount Input/Output Jacks
• True-Bypass Switching
• Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.

The Super Badass Variac Fuzz is aggressive, biting, and highly versatile, featuring a Variac control to change the pedal's voltage from 5V to 15V for a range of fuzz tones. Go from vintage saggy saturation to wide open transparency with the twist of a knob.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

Thick and woolly bass fuzz for the ages: cramming decades of bass fuzz tones into a small footprint, the Bassman Fuzz pedal offers two voices of speaker-pumping grit and all the right controls to keep your low end solid. Beyond offering fur drenched, riff-ready gain, this buffer-friendly fuzz can be tamed to balance with your clean lows using the three-position focus switch and blend knob. Select where the fuzz sits in the mix from three focus frequencies: full frequency band, just the mid and high frequencies, or high frequencies only – with each setting leaving plenty of room to blend in the right amount of your clean signal underneath the fuzz.

• Voice switch selects between compressed vintage fuzz or touch-sensitive modern fuzz
• Internal tone control adjusts the high frequency content of the fuzz
• Soft-touch relay true bypass with auto bypass when no power is present
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure
• Inset aluminum face plate draws in vintage Fender aesthetics

One simple pedal, so many uses. Rely on your T-Rex Karma to make sure your solos cut through - even if your soundman isn’t quite on top of it. Use it to compensate for power lost across long cables and lots of pedals. Let it accentuate the gain and sustain your overdrive and distortion pedals are giving you. Or use for no other reason that it’s one damned great sounding effect.

KARMA’s character evolves the more you turn it up, giving you surprising variety and richness in a one-knob pedal.

• Advanced non-linear boost circuit
• Based on highly celebrated T-Rex buffer
• Boost guitar, bass or keyboard up to 16dB
• Subtle edge at higher levels
• Elegant one-knob operation

The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!

The Micro Amp allows you to boost your signal with a preset amount of gain up to +26dB.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).