Effects

Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.

As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tunedsound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

• Low notes clear and in tune
• Super-fast tracking
• Ultra-compact size
• Top-quality components

After the huge success of the Little Mark Vintage head, marking a new Markbass era, we designed the MARK VINTAGE PRE, a new tube preamppedal, REAL TRUE BYPASS, ready to become a must have tool for pro bass players. MARK VINTAGE PRE delivers a very wide palette of tone options, from modern sounds to vintage ones and many other features to satisfy any needs.

4 band EQ, 3-way switch with preset EQ settings, DRIVE control with two types of distortion that can be mixed with the clean signal thanks to the BLEND control, +6 dB BOOST, AUX-IN and Headphones output, FX send/return, DI-LINE OUT with a dedicated transformer and, starting from an idea suggested by our top artist Marcus Miller, on this pedal we added the digital outputs RCA (with transformer) and TOSLINK with sampling rate switch 44.1/48/96KHz, making it the perfect studio tool for recording bass players.
A state of the art piece of gear letting everybody get a quality pro soundeverywhere, from studio work to stage concerts.

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

A no fuss professional compressor tailored specifically for bass instruments, the Bassman Compressor focuses on ease-of-use and great tone. Beneath its simple control set, this compact pedal employs smooth RMS compression – the same compression circuitry used in the most prominent studio rack compressors. The ratio and release switches each offer two meticulously dialed in presets to coax the most out of your bass with minimum stress, while the rest of your compression settings are handled using the straightforward level and compression controls. Use the blend control to inject fullness and dynamics from your clean signal back into the mix for the perfect balance of compression and feel.

• Studio style RMS compression meets simple UI in a pedal board friendly form factor
• Select between two dialed in ratio settings for light compression or smooth limiting
• Internal attack and release controls offer further fine-tuning to suit your playing
• Soft-touch relay true bypass with auto bypass when no power is present
• Side mounted pad switch to suit active basses
• Top mounted jacks and road-ready aluminum enclosure

Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end. The SATURATION control offers a tremendous range of distortion while the CONTOUR control allows you to dial in a scooped or a more aggressive, boosted midrange sound. The PRESENCE knob adds 'attack' to your sound, ensuring that your bass remains defined even with the most saturated settings. The output LEVEL control guarantees that you'll be able to get the distortion you want at any volume level.

• Saturation' controls how distorted your tone is, with a range from subtle tube-like to aggressive
• 'Contour' controls your midrange, from scooped to bumped
• Pedal powered by universal 9-volt power supply only. Not included.

Providing the warm, rich tone that Aguilar gear is famous for, the Chorusaurus uses analog bucket-brigade technology for lush, organic chorusing. The Chorusaurus gives bassists unparalleled control of their tone with an intuitive, four-knob layout. RATIO controls the ratio of dry and wet signals. The SPEED, INTENSITY, and WIDTH controls provide maximum tonal sculpting. Now you can dial in subtle swirling textures, extreme chorusing or anything in between! The Chorusaurus' output can be used for mono or stereo output. For stereo operation to two amplifiers, use a 1/4" Y cable with one 1/4" TRS to two 1/4" TS jacks.

• Analog Bucket-Brigade technology
• Blend control allows you to dial in perfect amount of clean and chorus
• Output jack is mono or stereo (Y cable needed for stereo operation)
• Pedal powered by universal 9-volt power supply only. Not included.

The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can't get from other pedals. The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

• Two sweeping filters offer classic envelope filter sounds, as well as new and unique tones
• Blend control adjusts mix between the filters
• Separate velocity controls for the 'up' and 'down' filters
• Pedal powered by universal 9-volt power supply only. Not included.

Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor provides classic silicon transistor distortion. The Fuzzistor allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic structure of the Fuzz from booming to gnarly.

• Analog silicon transistor distortion circuit
• 'Blend' control allows you to get ideal mix of clean and fuzz tone
• Pedal powered by universal 9-volt power supply only. Not included.

The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. From flowing, liquid tones to fat, funky ones, this simple phaser has a wide range of usable sounds in it. Fantastic for all styles of playing, especially soloing, fretless, and slap. RATE controls the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!

• 'Rate' controls speed of modulation
• 'Color" feeds a portion of signal back through the phase circuit, creating new and unique tones
• Pedal powered by universal 9-volt power supply only. Not included.

Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

• Proprietary detector circuit for superior tracking
• Continuously variable multipole low-pass filter for Octave sound
• Dual filter architecture
• Full spectrum tilt EQ for clean sound
• Pedal powered by universal 9-volt power supply only. Not included.