Effects

Perfect for club performers, electronic musicians, and beatboxers, the RC-202 packs powerful BOSS looping and multi-effects in an amazingly compact tabletop unit. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the distinctive look and fingertip interface style of its big brother, plus a host of new features. Four Input FX and four Track FX are available at once, and loops can be saved to memories in real time for seamless creative expression while performing. Expanded foot control and MIDI capabilities are also included, ideal for looping musicians who have their hands occupied with guitar, keyboards, and other instruments. Read more

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date. Read more

Compression and distortion are an undeniable duo. We combined those two essential effects into one pedalboard-friendly chassis: meet the Compugilist® Compressor/Distortion. The two discrete, all-analog effects are independently switchable, allowing you to use them solo or stacked. The straightforward controls make it easy to dial in your sound to taste.

• Compression/distortion pedal
• All-analog design
• Independently switchable
• Bass Boost
• Stage-ready construction

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MTG:LA® is a tube distortion pedal based around a genuine, U.S.-made NOS 6205 preamp tube. Tone, Bass, Treble and Tight controls make it easy to shape your sound, while the distinctly Fender footswitchable Boost adds Volume, Gain or both to make your solos stand out.

• Tube distortion pedal
• NOS 6205 preamp tube
• 3-Band EQ
• Boost with Gain and Level controls
• Global Tight control

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A unique spin on the traditional envelope filter—aka auto-wah—the Pour Over envelope filter has a few tricks hidden up its sleeve. Not only does it react to your picking dynamics, we added an onboard distortion circuit with dedicated controls that can be toggled to punch things up a bit. The comprehensive control set also includes selectable High-Pass, Low-Pass and Band-Pass filter types, as well as sweep direction control so you can tailor the sound precisely for your musical needs.

• Envelope filter pedal
• Onboard distortion
• High-, Low- and Band-Pass filters
• Sweep direction control
• Magnetically latched hinged 9V battery door
• Amp jewel LED

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The 440 has all of the quack, squee, squonk, chicka, mwomp, and weeeooow, that you could ask for. It works equally well on guitar, bass, and keys. Use out for funky chordal work, simulated wah, or trippy drawn-out filter sweeps. While 440 is a faithful recreation of the vintage 440, the addition of the up/down toggle gives it a modern sonic twist.

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