PA & Studio Equipment

Adding a subwoofer to full-range speakers enables you to hear the low-frequency foundation of your mix more accurately so you can make better-informed decisions and create more translatable mixes. The surprisingly loud, 100 watt Eris® Sub 8BT drops down to a molar-rattling 30 Hz, so you'll hear the full sonic spectrum and produce better mixes. For EDM and hip-hop producers, in particular, a subwoofer is a must-have.

• 8-inch composite low-frequency driver
• Bluetooth® 5.0 wireless audio stereo input
• 50W RMS, Class AB power amplifier
• 30 Hz to 200 Hz frequency response
• 100 dB SPL (Peak, @ 1 meter)
• Input gain control (-30 dB to +6 dB, continuously variable)
• Continuously variable lowpass filter (50 Hz to 130 Hz)
• Defeatable highpass filter removes frequency content below 80 Hz from the full-range signal sent from the Eris® Sub 8BT outputs to the main speakers
• Left and right, balanced ¼-inch TRS and unbalanced RCA main inputs
• Left and right, balanced ¼-inch TRS and unbalanced RCA pass-through outputs for connecting satellite speakers
• Polarity invert switch
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)

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Powerful and musical, the PreSonus® Eris Pro Sub 10 active, front-firing studio subwoofer is designed to deliver fast and accurate transient response, extending low frequencies down to 20 Hz, allowing you to hear the full-spectrum range of your mix. Driven by 170W (RMS) Class AB amplification, the Eris Pro Sub 10's 10-inch, glass-composite, low-frequency driver delivers tight, responsive sub-bass, thanks to its lightweight and rigid cone. This design provides lower distortion than other materials for sub-bass reproduction that's as coherent and clear as your full-range monitors.

• 10-inch, front-firing, glass-composite, low-frequency transducer
• Front-firing, bass-reflex acoustic port
• Continuously variable lowpass filter (50 Hz to 130 Hz) sets the upper frequency reproduced by the subwoofer
• Switchable highpass filter removes frequency content below 80 Hz from the full-range subwoofer outputs to the main monitors
• Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out
• Input gain control (-30 dB to +6 dB, continuously variable), polarity invert switch, and ground-lift switch
• 170 watt (RMS), Class AB amplification for up to 113 dB SPL, with a frequency response of 20 to 200 Hz
• Left and right, balanced XLR and ¼-inch TRS and unbalanced RCA main inputs
• Left and right balanced XLR and ¼-inch TRS outputs and XLR subwoofer output for connecting a second Eris® Pro Sub 10

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The MSP series has become the new standard in reference monitors, and is now augmented by a new, compact member: the MSP3. Although compact in size, the MSP3 faithfully delivers the high-quality reference sound you expect from the MSP series, and is an ideal choice not only for the small private studio or post-production setup, but also as a monitor for electronic musical instruments or surround reproduction. Read more

The new thunderous 10” KRK ROKIT RP103 Generation 4 (“G4”) tri-amp professional monitor takes music and sound creativity to a whole new industry-level. A tri-amp monitor ingeniously built for those needing to hear the depths of their productions clearly on every frequency range with DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, and combined with the included KRK App to help minimize and correct problems in your acoustic environment. Matching drivers (10”, 4.5”, 1”) made with Kevlar® ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience Read more

In 2019 we marked the fiftieth year of the PA division, and had the idea of producing a special model of the HS series that would feature even greater attention by Yamaha engineers. The HS series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time, and with paired serial numbers, the “HS MP models” is offered by Yamaha as a special fiftieth anniversary commemorative model. We are confident that this special pair of stereo monitor speakers will play a valued role in your recording, mixing, and mastering work. Read more

The Eris® E66 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

• Nested MTM (D'Appolito) design with dual woven composite drivers provides smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations
• MTM (D'Appolito) design minimizes phase displacement and leads to improved spatial resolution and a much wider sweet spot
• Dual 6.5-inch, custom-woven Kevlar LF/midrange drivers produce dynamic, size-defying bass output
• 1.25-inch, silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
• 140W Class A/B bi-amplification for an open, clear, and less fatiguing listening experience
• Includes Studio Magic, a suite of over $1000 USD worth of music production software

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2-Way Biamped, Active 6.5-Inch Coaxial Studio Monitors.

Listen to your mixes reproduced with lifelike realism! The Eris® Pro 6's symmetric design and consistent acoustic center provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

• Single point-source coaxial design for wider sweet spot and better phase alignment
• 6.5-inch, woven-composite, low-frequency driver
• 1.25-inch, silk-dome, high-frequency driver
• 140W, Class AB amplification
• 35 Hz to 20 kHz frequency response
• 106 dB SPL (Peak, @ 1 meter)
• Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (±6 dB, center 10 kHz, continuously variable), Mid Frequency (±6 dB, center 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
• XLR and ¼-inch TRS balanced and RCA unbalanced rear-panel inputs
• Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
• Power Saver mode (engages after 40 minutes)
• Wall and ceiling mountable

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6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus Read more

6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus Read more

16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX) Read more