INV10552
Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.
INV10553
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables you to achieve unprecedented levels of performance, usually found only in expensive studio compressors. Using a wide range of attack times (10ms to 100ms), variable threshold (-30 to -10 dBu), and slope levels (2:1 to infinity), you'll be able to dial in just the right sound. The TLC has a Full Spectrum Tilt EQ for Clean sound and a low distortion at <.2%.
INV10554
Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing. Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end. With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go. This two-band bass and treble preamp has a maximum amount of boost at 18db, occurring at 40 Hz for the bass, and 4kHz for the treble.
INV10555
The DB 599 bass compressor gives bassists the ability to control their dynamics in a simple and compact format. Tailored around the specific needs of bass players, the DB 599 utilizes musically appropriate compression ratios and attack / release parameters to make dialing in your compressed tone a breeze. Simply add in the desired amount of compression with the COMP knob, use the GAIN control to adjust your volume, and take your bass sound to the next level – that's it! Turning the COMP knob up will lower the threshold, and increase the compression ratio, resulting in a larger portion of the signal being more compressed.
INV10561
Anagram rethinks the way you shape your tone. With ultra-low latency, extensive customization, and seamless integration into the Darkglass ecosystem, it supports both studio precision and stage performance. Built for ease of use, Anagram not only refines your tone but also unlocks new possibilities for your creativity.
INV10586
INV10587
INV10597
The standard music stand 10050 in extra-long – i.e. extra tall. With a height of 640 - 1.500 mm, this tall music stand is well suited for standing musicians, particularly for tall musicians. The clamping elements for height adjustment and the adjustable head made of zinc-die cast material are extremely robust and provide the required stability and sturdiness for this music stand. The legs can be adjusted according to the musician's individual needs. The powder coating is non-abrasive and durable. The music stand is collapsible and easy to transport.